9 10 121 https://jacknorton.org/1101-online-sp19/files/original/e9b5dd808c450494b451b1cf78ea4705.jpg adf76b42f50eaddc1decc2bea59deb19 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sarah Pesola Subject The topic of the resource Mauryan and Hellenistic Art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Standing Female Deity Subject The topic of the resource Mauryan Art Creator An entity primarily responsible for making the resource Indian Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/art/collection/search/38431">The Met Museum</a> Publisher An entity responsible for making the resource available The Met Musem Date A point or period of time associated with an event in the lifecycle of the resource 3rd to 2nd Century B.C. Rights Information about rights held in and over the resource Copyright. This image belongs to the Met Museum. Used here for educational purposes only. Format The file format, physical medium, or dimensions of the resource Image Language A language of the resource English Type The nature or genre of the resource Terracotta, black oxidation patina Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: North India Time Period: 3rd-2nd Century B.C. Description An account of the resource I chose to add the “Shard with Three Goddesses” and the “Standing Female Deity” to my collection. While there isn’t really an in-depth description for the “Shard with Three Goddesses,” there is one for the “Standing Female Deity.” According to The Met Museum, the “Standing Female Deity” was a small depiction of a goddess that were “likely used for personal devotion” (Metropolitan Museum of Art). The statue appears to have flowers that surround her head, which is also similar with the “Shard with Three Goddesses.” Both statues were made with Terracotta, though the female deity one also had “black oxidation patina” (Metropolitan Museum of Art). The use of the Terracotta to produce both of these sculptures also shows the prevalence of this medium during the 3rd and 2nd Centuries B.C. In my opinion, both sculptures show how important to goddesses were to the Indian culture. The “Standing Female Deity” was mass produced for people to use in everyday worship and while we don’t know exactly what the shard (as part of a larger piece) was used for, it’s I think it’s likely that it was used to decorate homes and possible religious worship. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nick Truong Subject The topic of the resource Ancient Greek and Indian Art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Standing Female Deity Subject The topic of the resource Mauryan sculpture Description An account of the resource "Such small goddesses were produced in vast quantities and likely were used for personal devotion. This figure’s outstretched arms and wide hips recall the goddesses in the ring stone exhibited nearby. Her face and the rosettes in her hair were produced with molds, while handmade coils were used to craft the earrings, necklace, and girdle." "Medium: Terracotta, black oxidation patina Dimensions: H. 6 1/4 in. (15.9 cm); W. 4 3/4 in. (12.1 cm); D. 1 7/8 in. (14.8 cm) Classification: Sculpture" as described from the Metropolitan Museum of Art. The historical arts that I will be doing a comparison between are the “Standing Female Deity” and the “Bust of a Female Deity (Yakshi?)” in the Mauryan period. Both of these historical arts are related to each other as they are both depictions of a female deity. However, there is a difference in that the “Bust of a Female Deity (Yakshi?)” is a sculpture of the upper body while the “Standing Female Deity” is a sculpture of the whole body excluding the legs. Even though some parts of the body are missing for comparison, an assumption can be made from these two sculptures. The “Standing Female Deity” and the “Bust of a Female Deity (Yakshi?)” demonstrate that the people during the Mauryan period had matching ideas of what female deities look like. Both of the sculptures show that the people in the Mauryan period thought that female deities wore rosettes in their hair as both of the sculptures display rosettes in them. Furthermore, the people in the Mauryan period believed that female deities wore a small amount of clothing as displayed in the fact that the sculptures of the female deities had little amounts of clothing around their breast. Not to mention, the people of the Mauryan period thought that female deities wore necklaces as indicated from both of the sculptures. My learning objective would be to learn how to analyze images and see how they explain certain parts of history such as culture, clothing style, or diets. Creator An entity primarily responsible for making the resource "North India" Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/art/collection/search/38431" target="_blank" rel="noreferrer noopener">The Metropolitan Museum of Art</a> Publisher An entity responsible for making the resource available The Metropolitan Museum of Art Date A point or period of time associated with an event in the lifecycle of the resource "3rd–2nd century B.C." Contributor An entity responsible for making contributions to the resource Nick Truong Rights Information about rights held in and over the resource This resource is owned by the Metropolitan Museum of Art who owns the copyright to this resource. This resource is only being used for educational purposes. This image is in the public domain. Format The file format, physical medium, or dimensions of the resource "Medium: Terracotta, black oxidation patina Dimensions: H. 6 1/4 in. (15.9 cm); W. 4 3/4 in. (12.1 cm); D. 1 7/8 in. (14.8 cm)" as mentioned by the resource's website. File format: Jpeg Language A language of the resource En Type The nature or genre of the resource Image type Identifier An unambiguous reference to the resource within a given context https://www.metmuseum.org/art/collection/search/38431 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant "Period: Mauryan period Date: 3rd–2nd century B.C. Geographic Location Asia (70,968) India (3,721)" https://jacknorton.org/1101-online-sp19/files/original/78a44bafdd521c70a1b88c1898af93d7.jpg f379fcc698279389115792985fc91477 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Standing Female Deity Subject The topic of the resource Greek and Indian Art Description An account of the resource I chose this picture because it shows how the person doest care on how they look to others. Women would always dress up when ever they would go somewhere and make themselves look presentable no matter what. Women would show the "goddesses" to everyone one and be the number one and have people follow them and stay strong to their beliefs and what they think is the right thing. There would be a lot of devotions that the women would share with their kids, families, and even friends. Religion was a big thing that meant so much to everyone around there and they needed to have it in their life to keep them going from day to day and hour to hour. Creator An entity primarily responsible for making the resource Greek Source A related resource from which the described resource is derived https://www.metmuseum.org/art/collection/search/38431 Publisher An entity responsible for making the resource available The Metropolitan Museum of Art Date A point or period of time associated with an event in the lifecycle of the resource 100 B.C.-A.D. 1 (33,071) 3rd-2nd century B.C. Contributor An entity responsible for making contributions to the resource Samantha Weiss Rights Information about rights held in and over the resource Copyright, the Metropolitan Museum of Art. Used here for educational purpose only. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Standing Female Deity Contributor An entity responsible for making contributions to the resource Samantha Weiss Description An account of the resource I chose this picture because it shows how the person doest care on how they look to others. Women would always dress up when ever they would go somewhere and make themselves look presentable no matter what. Women would show the "goddesses" to everyone one and be the number one and have people follow them and stay strong to their beliefs and what they think is the right thing. There would be a lot of devotions that the women would share with their kids, families, and even friends. Religion was a big thing that meant so much to everyone around there and they needed to have it in their life to keep them going from day to day and hour to hour. https://jacknorton.org/1101-online-sp19/files/original/fde88aefabfec5f350574a0372a70a4b.jpg f379fcc698279389115792985fc91477 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yuliya Shveykina Subject The topic of the resource Mauryan Empire (ca. 323-185 B.C.) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Standing Female Deity Subject The topic of the resource Mauryan Period Description An account of the resource "Goddesses were produced in vast quantities; used for personal devotion." "Medium: Terracotta, black oxidation patina" "Dimensions: H. 6 1/4 in. (15.9 cm); W. 4 3/4 in. (12.1 cm); D. 1 7/8 in. (14.8 cm)" "Classifications: Sculpture" The two objects that I have found is the "Standing Female Deity" and "Avalokiteshvara, the Bodhisattva of Infinite Compassion." The reason I chose these sculptures is that I wanted to show that deities are both female and male. I wanted to illustrate that they both 'look the part.' What I mean by this is that I realized that the females head covering is quite similar to that of the males. Due to the fact that they are both deities, it definitely shows their power and domination over their lands. Also, I noticed that the way their posed shows a lot of stableness and strength. For example, the woman was standing upright and her posture looked confident and secure. The man, on the other hand, looked more relaxed and still tough on the bench. The material that is used to create these sculptures also plays a role. Bronze, handmade coils, and molds were used to create these spectacular intricate sculptures. I wish to have a better understanding of how to find credible resources that would only strengthen my descriptions and knowledge of the subject (art). Creator An entity primarily responsible for making the resource "North India" Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/art/collection/search/38431">The Metropolitan Museum of Art </a> Publisher An entity responsible for making the resource available The Metropolitan Museum of Art Date A point or period of time associated with an event in the lifecycle of the resource "3rd–2nd century B.C." Contributor An entity responsible for making contributions to the resource Yuliya Shveykina Rights Information about rights held in and over the resource Copyright. The Metropolitan Museum of Art. Used here for educational purposes only. Relation A related resource Mauryan Period Sculptures Format The file format, physical medium, or dimensions of the resource "Medium: Terracotta, black oxidation patina" "Dimensions: H. 6 1/4 in. (15.9 cm); W. 4 3/4 in. (12.1 cm); D. 1 7/8 in. (14.8 cm)" File format: Jpeg Language A language of the resource English Type The nature or genre of the resource Image Type Identifier An unambiguous reference to the resource within a given context https://www.metmuseum.org/art/collection/search/38431 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant "Period: Mauryan period" "Date: 3rd–2nd century B.C." "Geographic Location: Asia (70,958) India (3,721)" https://jacknorton.org/1101-online-sp19/files/original/91302556269869265809c931401c2294.jpg f379fcc698279389115792985fc91477 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sara Ferguson Subject The topic of the resource Mauryan Art Collection Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Standing Female Deity Subject The topic of the resource Sculpture Description An account of the resource From the Metropolitan Museum of Art website, "Date: 3rd-2nd century B.C. Medium: Terracotta, black oxidation patina Dimensions :H. 6 1/4 in. (15.9 cm); W. 4 3/4 in. (12.1 cm); D. 1 7/8 in. (14.8 cm)" Sculpture of a standing Deity with a large head piece and necklace. These sculptures present that early India was very religious and seemed to worship the same Female Deity, possibly Yakashi, throughout. They also show that different materials were used depending on the location and origin of the sculpture. The Standing Female Deity (from Northern India) was created using terracotta and black oxidation patina, whereas the Bust of a Female Deity (Yakashi?) (From India) was constructed with grey clay. I can conclude that the material that was used either showed significance or was the only material available at that time (some families only had access to certain material). With that being said, the wide range of materials proves that a wide range of people were depicting possibly the same entity, no matter the social class or experience of the artist themselves. The sculptures also seem to be around the same size, ranging from 16-9 cm. This shows that they were accustomed to only making smaller sculptures, or they didn’t have enough material to make larger sculptures. Or, another possibility is that large sculptures may not have survived. Creator An entity primarily responsible for making the resource North Indian Source A related resource from which the described resource is derived Anonymous Gift to The Met 1978 Publisher An entity responsible for making the resource available Metropolitan Museum of Art Rights Information about rights held in and over the resource The Metropolitan Museum of Art. Used for educational purposes only. Type The nature or genre of the resource Sculpture https://jacknorton.org/1101-online-sp19/files/original/1ec867ac67b13ce767ba4117481e6229.jpg 8005a8bb4332e34f37ac5c2b92b37233 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Molly Renlund Subject The topic of the resource Mauryan and Hellenistic Art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Statue of the Three Graces Creator An entity primarily responsible for making the resource Rome Date A point or period of time associated with an event in the lifecycle of the resource 2nd century A.D. Format The file format, physical medium, or dimensions of the resource Marble Type The nature or genre of the resource Sculpture Subject The topic of the resource Charities Description An account of the resource The Three Graces were said to be the daughters of Zeus, in Greek mythology. Engravings on many statue-esque pieces of artwork tell us that they are Thaleia, who represents youthfulness and beauty, Euphrosyne, who represents laughter, fun, and happiness, and Aglaia, who represents elegance and grace. Not only does the sculpture relate to other works of art in which the women are sculpted in a divine nature as goddesses, but it also tells us a lot about people in this society’s perceptions. For example, the Three Graces – Thaleia (the rightmost figure) represents the image of beauty, but the image of beauty varies from culture to culture in different time periods. Today’s ideation of what is beautiful looks a bit different than what was chiseled into the marble back then. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nick Truong Subject The topic of the resource Ancient Greek and Indian Art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Surviving the Black Death Subject The topic of the resource The Black Death Description An account of the resource This resource looks at the research of another person and does an analysis on that to figure out the benefits of the Black Death in medieval Europe. Creator An entity primarily responsible for making the resource Kate Meyers Emery Source A related resource from which the described resource is derived <a href="https://bonesdontlie.wordpress.com/2014/05/09/surviving-the-black-death/" target="_blank" rel="noreferrer noopener">Bones Don't Lie</a> Publisher An entity responsible for making the resource available Bones Don't Lie Date A point or period of time associated with an event in the lifecycle of the resource 1347-1351 Contributor An entity responsible for making contributions to the resource Nicholas Truong Rights Information about rights held in and over the resource This resource is owned by Bones Don't Lie who owns the copyright to this resource. This resource is only being used for educational purposes. Language A language of the resource En Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Banh Tu Subject The topic of the resource Siddhartha Gautama Description An account of the resource Depiction of Buddha Source A related resource from which the described resource is derived <a href="http://www.artandantiquesmag.com/2012/05/tibetan-art-museum-of-fine-arts-boston/201205_shambala_01/">Art &amp; Antiques</a><br /><a href="http://www.artandantiquesmag.com/2012/05/tibetan-art-museum-of-fine-arts-boston/201205_shambala_02/">Art &amp; Antiques</a><br /><a href="http://ichef.bbci.co.uk/wwfeatures/wm/live/1600_900/images/live/p0/2w/4c/p02w4cgz.jpg">BBC</a> : Lumbini Nepal  Rights Information about rights held in and over the resource Copy right Art & Antiques Education purpose use only Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Temple Creator An entity primarily responsible for making the resource Pinterest Source A related resource from which the described resource is derived <a href="https://www.pinterest.com/pin/101190322852530788/">Pinterest</a> Rights Information about rights held in and over the resource Copy right Pinterest Education use only https://jacknorton.org/1101-online-sp19/files/original/4730404cc1d645da2d83cdd372b5d9fe.jpg 897c813aa062e612f9a39639098c874a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Banh Tu Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Terracotta column-krater (bowl for mixing win and water) Subject The topic of the resource Late Classical vases Description An account of the resource "Period: Late Classical Date: ca 360-350 B.C Dimensions: H. 201/4 in. (51.5cm) Classification: vase" The two objects I chose was between the Archaic and Hellenistic period. I can by looking at the two objects the art style is different. The jar from the Archaic period the people is color in black and the background is brown. As for the bowl in the Hellenistic period its reverse where the people are left in brown and white while the background is cover in black. However, both objects show a great deal in heroic character or someone famous. From looking at the two objects it’s tells me that people during that time idolize strong and heroic people, because they displace warrior carrying weapons. I can see why artists choose to do that kind of drawing on the jar because, they were constantly in war with other region and people. Show the artist portrait that to inspired younger kids to be brave and defend their country and its people. I can only guess that the potteries were belonging to high class society because of the of the design and the detail that on it. From looking at all the art we were doing for class I want to learn more about the process the artist used to created those piece of art and does that transfer to the architecture of the monument they build. Creator An entity primarily responsible for making the resource "Greek, South Italian, Apulian" Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/art/collection/search/254649" target="_blank" rel="noreferrer noopener">The Metropolitan Museum</a> Contributor An entity responsible for making contributions to the resource Banh Tu Rights Information about rights held in and over the resource Copyright, Metropolitan Museum https://jacknorton.org/1101-online-sp19/files/original/3e5216b458881434c55a06a9fcd891e1.jpeg 55cc91dbf0a30e2b376d08e6c8baa9a1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Inara Hirani Subject The topic of the resource Ancient Greek and Indian Art Rights Information about rights held in and over the resource Copyright. Used here for educational purposes only. Type The nature or genre of the resource Image Type Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Terracotta draped woman Subject The topic of the resource Hellenistic sculpture Description An account of the resource "Enveloped in himation; standing and draped." "Medium: Terracotta Dimensions H. 7 3/4in. (19.6 cm) Classifications: Terracottas" From the museum description The two objects that I chose tell us about the everyday lives of two different classes to the extent that we still see these differences today. The Terracotta draped women tells us that this woman had access to elite clothing, as my research has come to the conclusion that himation was elite in the Hellenistic time period. On the other hand, the Bronze statuette of an African (known as Ethiopian) youth suggests that this boy worked many hours in the sun because of scars that are present throughout his body. In addition, this boy does not have much clothing on which suggests that he was not in the elite class. These two objects suggest that there was a stark difference between the lifestyles of these individuals. It seems that the elite class did not even care about the lower class and that the elites profited from the lower class’s hard work. I believe that this is similar to all periods in the past since individuals who have dark color on their skin are considered of a lower class which is present through these two objects. Therefore, if unfair classes were present in the past, why are these differences still present today? Although it is not as severe in today’s world, however, it is still present. My learning objective is that I would like to be able to express my thoughts in as few words as possible. Creator An entity primarily responsible for making the resource "Greek, Boeotian" Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/art/collection/search/247882" target="_blank" rel="noreferrer noopener">The Metropolitan Museum of Art</a> Publisher An entity responsible for making the resource available The Metropolitan Museum of Art Date A point or period of time associated with an event in the lifecycle of the resource "3rd century B.C." Contributor An entity responsible for making contributions to the resource Inara Hirani Rights Information about rights held in and over the resource Copyright. The Metropolitan Museum of Art. Used here for educational purposes only. Relation A related resource Terracotta sculptures Format The file format, physical medium, or dimensions of the resource "Medium: Terracotta Dimensions: H. 7 3/4in. (19.6 cm) as mentioned by the resource's website Language A language of the resource English Type The nature or genre of the resource Image Type Identifier An unambiguous reference to the resource within a given context https://www.metmuseum.org/art/collection/search/247882 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant "Period: Hellenistic Date: 3rd century B.C. Geographic Location Europe (185,175) Greece (22,187)"