8 10 121 https://jacknorton.org/1101-online-sp19/files/original/d6cc73a279cc4cd537856d9b13b7c76c.jpg 9a78006aa19e867a2edf3fd1c116289d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tyler DeWall Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Terracotta statuette of a standing girl Subject The topic of the resource Hellenistic Sculpture Description An account of the resource Medium: Terracotta Dimensions: Overall: 4 1/2 x 1 3/4 x 1 1/16 in. (11.4 x 4.4 x 2.6 cm) Classification: Terracottas The two items I choose tell and show us how the sculptures were made in the Hellenistic period. They both show how they were dressed with robe like clothing and very loose clothing. From the readings we read this week it talked about how the sculptures were all dressed with loose clothing which proves my point in the pictures. This shows us how the people of this period had a strict dressing option for clothes and how they always choose to wear loose clothing. When you also look closely at the two objects you can see a lot of emotion which also tells us how the creators were so precise in making these sculptures. The big picture is that these objects were two big pieces in history because they show and tell us how they were made, we can learn so much from just looking at them. My learning objective is to understand a little more about how they made them so precisely. Creator An entity primarily responsible for making the resource Greek, Attic Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/art/collection/search/247911" title="The Metropolitan Museum of Art">The Metropolitan Museum of Art</a> Publisher An entity responsible for making the resource available The Metropolitan Museum of Art Date A point or period of time associated with an event in the lifecycle of the resource ca. 300 B.C. Contributor An entity responsible for making contributions to the resource Tyler DeWall Rights Information about rights held in and over the resource Copyright. The Metropolitan Museum of Art. Used here for educational purposes only. Relation A related resource Terracotta Sculptures Format The file format, physical medium, or dimensions of the resource Medium: Terracotta Dimensions: Overall: 4 1/2 x 1 3/4 x 1 1/16 in. (11.4 x 4.4 x 2.6 cm) File Format: Jpeg Language A language of the resource English Type The nature or genre of the resource Image Type Identifier An unambiguous reference to the resource within a given context https://www.metmuseum.org/art/collection/search/247911 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant "Period: Hellenistic Date: ca. 300 B.C. Geographic Location: Europe (185,178) Greece (22,187) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Poverty Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Terracotta Oinochoe (jug) Subject The topic of the resource Hellenistic Vase Art Description An account of the resource "Medium: Terracotta Dimensions:H. with handle 9 1/2 in. (24.1 cm) Classification: Vases" (The Met). This jug demonstrates the poverty during the Hellenistic period because of its simplicity and dullness. There is nothing drawn on the jug and the material is cheap. This demonstrates poverty because other jugs/vases from the time period are all decorated and still look fancy, despite the fact that they are thousands of years old already. This shows the different classes in their society, even though it is just a jug; higher classes had fancy jugs while lower classes had plain, simple jugs. Creator An entity primarily responsible for making the resource Greek, South Italian, Apulian Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/art/collection/search/247420" target="_blank" rel="noreferrer noopener">The Metropolitan Museum of Art</a> Publisher An entity responsible for making the resource available The Metropolitan Museum of Art Date A point or period of time associated with an event in the lifecycle of the resource "late 4th-early 3rd century B.C." (The Met) Contributor An entity responsible for making contributions to the resource Angelika Rybalko Rights Information about rights held in and over the resource Copyright. The Metropolitan Museum of Art. Used here for educational purposes only. Language A language of the resource En Type The nature or genre of the resource Image https://jacknorton.org/1101-online-sp19/files/original/79ce6b2dfe5872639818950cb2862399.jpg efa6034c59540c266a4f7a24e2cdf2a1 https://jacknorton.org/1101-online-sp19/files/original/c998c3438dd944bb8eb5bb391416c28c.jpg b7a59d76fec9906caa19825053d39513 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Terracotta vase in the form of a sleeping African (known as Ethiopian) boy and Bronze statuette of an African (known as Ethiopian) youth Subject The topic of the resource Africans in Greek Art Description An account of the resource I chose these two images to highlight how different Greek art was when showcasing which person. The first image, I chose the “Ethiopian” boy. If you look at the statue, his face seems to be soulless, which could indicate that the Greeks didn’t see them as human, that they were just soulless creatures that did work for them. If you can place emotion on him, he seems distressed. My question would be, why would Greeks choose to showcase a little boy in distress? Perhaps because that’s the only experience that they had with them, because they weren’t treated well. He also, has very little clothes. He seems to not be covered at all, just a little tie around his waist that doesn’t appear to even cover him completely. My second image is the sleeping boy. This one, also shows a child who doesn’t seem to be sleeping well. He is naked and has a spout neck emerging from his back, which is meant to put liquid in. This would give the idea that he is meant to hold the Greek’s items, like liquid. They have been reduced to simple objects like a pot, they are not people. Creator An entity primarily responsible for making the resource Greeks Source A related resource from which the described resource is derived <a href="http://www.metmuseum.org">The Metropolitan Museum of Art</a> Publisher An entity responsible for making the resource available The Metropolitan Museum of Art Date A point or period of time associated with an event in the lifecycle of the resource 3rd-2nd Century B.C. Contributor An entity responsible for making contributions to the resource Britt Halaas Rights Information about rights held in and over the resource Public Domain. The Metropolitan Museum of Art. Used for educational purposes only. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Poverty Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dish with a Bee Pollinating a Lotus Subject The topic of the resource Mauryan Period Art Description An account of the resource "Medium: Ceramic Dimensions: Diam 13 1/8 in. (33.3 cm) Classification: Ceramics" from The Met description. This dish gives us an insight that no matter your wealth or social level, if you were skilled and had access to materials, you could make something as beautiful as this. However, skills such as those to make the dish were taught and handed down, so if your family did not possess these skills before, it would have been difficult to learn. This also would have been time consuming, so if you were a laborer or farmer, you would not have had time to do create it. Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/art/collection/search/38612" target="_blank" title="&quot;Dish with a Bee Pollinating a Lotus&quot;" rel="noreferrer noopener">Metropolitan Museum of Art</a> Publisher An entity responsible for making the resource available Metropolitan Museum of Art Date A point or period of time associated with an event in the lifecycle of the resource ca. 2nd century B.C. Contributor An entity responsible for making contributions to the resource Sara Ferguson Rights Information about rights held in and over the resource Copyright. The Metropolitan Museum of Art. Used for educational purposes only. Creator An entity primarily responsible for making the resource India Type The nature or genre of the resource Image https://jacknorton.org/1101-online-sp19/files/original/e56dff006be462dde8829f4696966d3e.jpg 251f3c098dbb9c7872b03c9c0a12e8fb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Molly Renlund Subject The topic of the resource Mauryan and Hellenistic Art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Shard with Three Goddesses Creator An entity primarily responsible for making the resource India Date A point or period of time associated with an event in the lifecycle of the resource 3rd century B.C. Format The file format, physical medium, or dimensions of the resource Terracotta Type The nature or genre of the resource Sculpture Description An account of the resource A shard of terracotta, most likely a small part of a bigger piece, has three goddesses carved on it as a design. All three are depicted as adorned with jewelry and crowns. It is synonymous with the statuette of the Three Graces in which they both accentuate three important deities. These similarities in art expressionism from reasonably different time periods and geographic location give modern day viewers a little insight into the religious and social norms of those time periods. Worshipping many Gods and Goddesses was considered normal and encouraged at times in both of these societies, and it in turn promoted human creativity and spirituality. https://jacknorton.org/1101-online-sp19/files/original/edcf3494a5955197a3f1646f7123cd9e.jpg 7349f24218ca8f7a9228d7c06e605f43 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sarah Pesola Subject The topic of the resource Mauryan and Hellenistic Art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Shard with Three Goddesses Subject The topic of the resource Mauryan Art Creator An entity primarily responsible for making the resource Indian Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/art/collection/search/38363">The Met Museum</a> Publisher An entity responsible for making the resource available The Met Museum Date A point or period of time associated with an event in the lifecycle of the resource ca. 3rd Century B.C. Rights Information about rights held in and over the resource Copyright. Image belongs to the Met Museum. Used here for educational purposes only. Format The file format, physical medium, or dimensions of the resource Image Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: India Date: ca. 3rd Century B.C. Type The nature or genre of the resource Terracotta Description An account of the resource I chose to add the “Shard with Three Goddesses” and the “Standing Female Deity” to my collection. While there isn’t really an in-depth description for the “Shard with Three Goddesses,” there is one for the “Standing Female Deity.” According to The Met Museum, the “Standing Female Deity” was a small depiction of a goddess that were “likely used for personal devotion” (Metropolitan Museum of Art). The statue appears to have flowers that surround her head, which is also similar with the “Shard with Three Goddesses.” Both statues were made with Terracotta, though the female deity one also had “black oxidation patina” (Metropolitan Museum of Art). The use of the Terracotta to produce both of these sculptures also shows the prevalence of this medium during the 3rd and 2nd Centuries B.C. In my opinion, both sculptures show how important to goddesses were to the Indian culture. The “Standing Female Deity” was mass produced for people to use in everyday worship and while we don’t know exactly what the shard (as part of a larger piece) was used for, it’s I think it’s likely that it was used to decorate homes and possible religious worship. https://jacknorton.org/1101-online-sp19/files/original/e9b5dd808c450494b451b1cf78ea4705.jpg adf76b42f50eaddc1decc2bea59deb19 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sarah Pesola Subject The topic of the resource Mauryan and Hellenistic Art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Standing Female Deity Subject The topic of the resource Mauryan Art Creator An entity primarily responsible for making the resource Indian Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/art/collection/search/38431">The Met Museum</a> Publisher An entity responsible for making the resource available The Met Musem Date A point or period of time associated with an event in the lifecycle of the resource 3rd to 2nd Century B.C. Rights Information about rights held in and over the resource Copyright. This image belongs to the Met Museum. Used here for educational purposes only. Format The file format, physical medium, or dimensions of the resource Image Language A language of the resource English Type The nature or genre of the resource Terracotta, black oxidation patina Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: North India Time Period: 3rd-2nd Century B.C. Description An account of the resource I chose to add the “Shard with Three Goddesses” and the “Standing Female Deity” to my collection. While there isn’t really an in-depth description for the “Shard with Three Goddesses,” there is one for the “Standing Female Deity.” According to The Met Museum, the “Standing Female Deity” was a small depiction of a goddess that were “likely used for personal devotion” (Metropolitan Museum of Art). The statue appears to have flowers that surround her head, which is also similar with the “Shard with Three Goddesses.” Both statues were made with Terracotta, though the female deity one also had “black oxidation patina” (Metropolitan Museum of Art). The use of the Terracotta to produce both of these sculptures also shows the prevalence of this medium during the 3rd and 2nd Centuries B.C. In my opinion, both sculptures show how important to goddesses were to the Indian culture. The “Standing Female Deity” was mass produced for people to use in everyday worship and while we don’t know exactly what the shard (as part of a larger piece) was used for, it’s I think it’s likely that it was used to decorate homes and possible religious worship. https://jacknorton.org/1101-online-sp19/files/original/823aace877b55b15a82ac5decf0ed388.jpg a08215cce9a8cfed8f57ed3e8b67e872 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Charese Brown Subject The topic of the resource Hellenistic and Mauryan Art Contributor An entity responsible for making contributions to the resource Charese Brown Description An account of the resource What do your two objects tell us about everyday life in the period you've selected? <br /><br /> <p><span style="font-weight:400;">I choose two different pieces of art and while they are not exactly from the same time period they are from the past. I also think that while on is a plate and one is jewelry they still have a lot in common with what they are saying about everyday life in those periods. The plate is very emaculate a decorated to perfection which shows that the plate was not just for serving food. It served a high purpose in the house as a decoration. I think it shows that if you have money you buy things that are not needed. No one needs a plate like that unless they have the extra money. I think the jewelry shows the same thing. These prices are so pretty and I think they were worn by people who are higher up in society, but that is just a guess. I truly think the items people had in the past showed how rich you are/how high up in the social system you are. What this shows about everyday life is that people enjoyed luxury if they could afford it. </span></p> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dish with a Bee Pollinating a Lotus Subject The topic of the resource Mauryan Art Description An account of the resource "Period:Mauryan period Date:ca. 2nd century B.C. Culture:India Medium:Ceramic Dimensions:Diam 13 1/8 in. (33.3 cm) Classification:Ceramics Credit Line:Purchase, Miriam and Ira D. Wallach Philanthropic Fund Gift, 1993 Accession Number:1993.371 Creator An entity primarily responsible for making the resource Indian Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/art/collection/search/38612" target="_blank" rel="noreferrer noopener">Metropolitan Museum of Art</a> Publisher An entity responsible for making the resource available The Metropolitan Museum of Art Date A point or period of time associated with an event in the lifecycle of the resource ca. 2nd century B.C. Contributor An entity responsible for making contributions to the resource Charese Brown Rights Information about rights held in and over the resource Copyright. The Metropolitan Museum of Art. Used here for educational purposes only. Format The file format, physical medium, or dimensions of the resource Ceramic Type The nature or genre of the resource Ceramic Art https://jacknorton.org/1101-online-sp19/files/original/35370b7864e872f73066cc847026738b.JPG fabc60b9dc5b71a985f712546f78b3dc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sara Ferguson Subject The topic of the resource Mauryan Art Collection Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bust of a Female Deity (Yakashi?) Subject The topic of the resource Sculpture Description An account of the resource From The Metropolitan Museum of Art website, "Date: 3rd-2nd century B.C. Culture: India Dimensions :3 1/2 x 2 1/2 in. (8.9 x 6.4 cm) Medium: Gray Clay" A small sculpture of the torso of a Female Deity believed to be Yakashi. These sculptures present that early India was very religious and seemed to worship the same Female Deity, possibly Yakashi, throughout. They also show that different materials were used depending on the location and origin of the sculpture. The Standing Female Deity (from Northern India) was created using terracotta and black oxidation patina, whereas the Bust of a Female Deity (Yakashi?) (From India) was constructed with grey clay. I can conclude that the material that was used either showed significance or was the only material available at that time (some families only had access to certain material). With that being said, the wide range of materials proves that a wide range of people were depicting possibly the same entity, no matter the social class or experience of the artist themselves. The sculptures also seem to be around the same size, ranging from 16-9 cm. This shows that they were accustomed to only making smaller sculptures, or they didn’t have enough material to make larger sculptures. Or, another possibility is that large sculptures may not have survived. Source A related resource from which the described resource is derived Rogers Fund, 1928 Publisher An entity responsible for making the resource available Metropolitan Museum of Art Rights Information about rights held in and over the resource Metropolitan Museum of Art. Used for educational purposes only. Type The nature or genre of the resource Sculpture Creator An entity primarily responsible for making the resource Indian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nick Truong Subject The topic of the resource Ancient Greek and Indian Art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medieval Trade Networks & the Black Death Subject The topic of the resource The Black Death Description An account of the resource This resources explains how, where, and when the Black Death spread around the world. Creator An entity primarily responsible for making the resource Janae Nakata Source A related resource from which the described resource is derived <a href="https://www.arcgis.com/home/item.html?id=f214752ef3664dbf92249c84784b3971" target="_blank" rel="noreferrer noopener">ArcGIS</a> Publisher An entity responsible for making the resource available ArcGIS Date A point or period of time associated with an event in the lifecycle of the resource 1347-1353 Contributor An entity responsible for making contributions to the resource Nicholas Truong Rights Information about rights held in and over the resource This resource is owned by ArcGIS who owns the copyright to this resource. This resource is only being used for educational purposes. Language A language of the resource En