8 10 121 https://jacknorton.org/1101-online-sp19/files/original/64600b1e68b2df83e133e7b8151e6a9a.jpg 3a8aebef3c0021938e815e45197a73af Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Charese Brown Subject The topic of the resource Hellenistic and Mauryan Art Contributor An entity responsible for making contributions to the resource Charese Brown Description An account of the resource What do your two objects tell us about everyday life in the period you've selected? <br /><br /> <p><span style="font-weight:400;">I choose two different pieces of art and while they are not exactly from the same time period they are from the past. I also think that while on is a plate and one is jewelry they still have a lot in common with what they are saying about everyday life in those periods. The plate is very emaculate a decorated to perfection which shows that the plate was not just for serving food. It served a high purpose in the house as a decoration. I think it shows that if you have money you buy things that are not needed. No one needs a plate like that unless they have the extra money. I think the jewelry shows the same thing. These prices are so pretty and I think they were worn by people who are higher up in society, but that is just a guess. I truly think the items people had in the past showed how rich you are/how high up in the social system you are. What this shows about everyday life is that people enjoyed luxury if they could afford it. </span></p> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ganymede Jewelry Subject The topic of the resource Hellenistic Art Description An account of the resource "Period: Hellenistic Date: ca. 330–300 B.C. Culture: Greek Medium: Gold, rock crystal, emerald Dimensions: length of necklace 13 in. (33 cm); H. of earrings 2 3/8 in. (6 cm); width of bracelets 3 1/8 in. (8 cm); width of fibulae 1 15/16 in. (5 cm); H. of ring 13/16 in. (2.1 cm) Classification: Gold and Silver Credit Line: Harris Brisbane Dick Fund, 1937 Accession Number: 37.11.8–.17 Creator An entity primarily responsible for making the resource Greek Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/toah/works-of-art/37.11.8-.17/" target="_blank" rel="noreferrer noopener">Metropolitan Museum of Art</a> Date A point or period of time associated with an event in the lifecycle of the resource ca. 330-300 B.C. Contributor An entity responsible for making contributions to the resource Charese Brown Relation A related resource Copyright. The Metropolitan Museum of Art. Used here for educational purposes only. Format The file format, physical medium, or dimensions of the resource Gold and Silver Identifier An unambiguous reference to the resource within a given context Hellenistic Art https://jacknorton.org/1101-online-sp19/files/original/823aace877b55b15a82ac5decf0ed388.jpg a08215cce9a8cfed8f57ed3e8b67e872 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Charese Brown Subject The topic of the resource Hellenistic and Mauryan Art Contributor An entity responsible for making contributions to the resource Charese Brown Description An account of the resource What do your two objects tell us about everyday life in the period you've selected? <br /><br /> <p><span style="font-weight:400;">I choose two different pieces of art and while they are not exactly from the same time period they are from the past. I also think that while on is a plate and one is jewelry they still have a lot in common with what they are saying about everyday life in those periods. The plate is very emaculate a decorated to perfection which shows that the plate was not just for serving food. It served a high purpose in the house as a decoration. I think it shows that if you have money you buy things that are not needed. No one needs a plate like that unless they have the extra money. I think the jewelry shows the same thing. These prices are so pretty and I think they were worn by people who are higher up in society, but that is just a guess. I truly think the items people had in the past showed how rich you are/how high up in the social system you are. What this shows about everyday life is that people enjoyed luxury if they could afford it. </span></p> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dish with a Bee Pollinating a Lotus Subject The topic of the resource Mauryan Art Description An account of the resource "Period:Mauryan period Date:ca. 2nd century B.C. Culture:India Medium:Ceramic Dimensions:Diam 13 1/8 in. (33.3 cm) Classification:Ceramics Credit Line:Purchase, Miriam and Ira D. Wallach Philanthropic Fund Gift, 1993 Accession Number:1993.371 Creator An entity primarily responsible for making the resource Indian Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/art/collection/search/38612" target="_blank" rel="noreferrer noopener">Metropolitan Museum of Art</a> Publisher An entity responsible for making the resource available The Metropolitan Museum of Art Date A point or period of time associated with an event in the lifecycle of the resource ca. 2nd century B.C. Contributor An entity responsible for making contributions to the resource Charese Brown Rights Information about rights held in and over the resource Copyright. The Metropolitan Museum of Art. Used here for educational purposes only. Format The file format, physical medium, or dimensions of the resource Ceramic Type The nature or genre of the resource Ceramic Art https://jacknorton.org/1101-online-sp19/files/original/e56dff006be462dde8829f4696966d3e.jpg 251f3c098dbb9c7872b03c9c0a12e8fb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Molly Renlund Subject The topic of the resource Mauryan and Hellenistic Art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Shard with Three Goddesses Creator An entity primarily responsible for making the resource India Date A point or period of time associated with an event in the lifecycle of the resource 3rd century B.C. Format The file format, physical medium, or dimensions of the resource Terracotta Type The nature or genre of the resource Sculpture Description An account of the resource A shard of terracotta, most likely a small part of a bigger piece, has three goddesses carved on it as a design. All three are depicted as adorned with jewelry and crowns. It is synonymous with the statuette of the Three Graces in which they both accentuate three important deities. These similarities in art expressionism from reasonably different time periods and geographic location give modern day viewers a little insight into the religious and social norms of those time periods. Worshipping many Gods and Goddesses was considered normal and encouraged at times in both of these societies, and it in turn promoted human creativity and spirituality. https://jacknorton.org/1101-online-sp19/files/original/1ec867ac67b13ce767ba4117481e6229.jpg 8005a8bb4332e34f37ac5c2b92b37233 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Molly Renlund Subject The topic of the resource Mauryan and Hellenistic Art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Statue of the Three Graces Creator An entity primarily responsible for making the resource Rome Date A point or period of time associated with an event in the lifecycle of the resource 2nd century A.D. Format The file format, physical medium, or dimensions of the resource Marble Type The nature or genre of the resource Sculpture Subject The topic of the resource Charities Description An account of the resource The Three Graces were said to be the daughters of Zeus, in Greek mythology. Engravings on many statue-esque pieces of artwork tell us that they are Thaleia, who represents youthfulness and beauty, Euphrosyne, who represents laughter, fun, and happiness, and Aglaia, who represents elegance and grace. Not only does the sculpture relate to other works of art in which the women are sculpted in a divine nature as goddesses, but it also tells us a lot about people in this society’s perceptions. For example, the Three Graces – Thaleia (the rightmost figure) represents the image of beauty, but the image of beauty varies from culture to culture in different time periods. Today’s ideation of what is beautiful looks a bit different than what was chiseled into the marble back then. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Liam Boris Subject The topic of the resource Greek-African Art Description An account of the resource The images/objects that I have chosen have conflicting views upon the status of Africans (or Ethiopians) in Ancient Greece. It should be therefore be asserted that individual Africans were held at different social classes in the ancient Greek civilization. On the one hand, the Bronze statues displays a youth of African descent as very strong and able. The statue of the young boy displays strong core, back, and leg muscles, indicating that he is a hard worker. Additionally, the description states that the garment “is characteristic of artisans”, demonstrating that the boy was not in the lowest class. On the other hand, the Terracotta perfume jug shows a boy of similar age being in total submission. He is crouched about and rather skinny. Additionally, the nature of being on a perfume bottle was possibly a way that his masters could have mocked him. In conclusion, it is apparent that there is not one social class that Africans belonged to in the Ancient Greek civilization, and thus, it is quite possible they participated in all social class levels. Learning Objective: Review and craft the proper elements of a short historical analysis. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Terracotta vase in the form of a sleeping African (known as Ethiopian) boy Subject The topic of the resource Greek Art Creator An entity primarily responsible for making the resource Greek Source A related resource from which the described resource is derived The Metropolitan Museum of Art Publisher An entity responsible for making the resource available <a href="https://www.metmuseum.org/toah/works-of-art/74.51.2263/">The Metropolitan Museum of Art</a> Date A point or period of time associated with an event in the lifecycle of the resource 3rd - 2nd century B.C.E Rights Information about rights held in and over the resource Image belongs to the Metropolitan Museum of Art and is for education purposes only. Format The file format, physical medium, or dimensions of the resource Terracotta Language A language of the resource English Type The nature or genre of the resource Image Description An account of the resource The images/objects that I have chosen have conflicting views upon the status of Africans (or Ethiopians) in Ancient Greece. It should be therefore be asserted that individual Africans were held at different social classes in the ancient Greek civilization. On the one hand, the Bronze statues displays a youth of African descent as very strong and able. The statue of the young boy displays strong core, back, and leg muscles, indicating that he is a hard worker. Additionally, the description states that the garment “is characteristic of artisans”, demonstrating that the boy was not in the lowest class. On the other hand, the Terracotta perfume jug shows a boy of similar age being in total submission. He is crouched about and rather skinny. Additionally, the nature of being on a perfume bottle was possibly a way that his masters could have mocked him. In conclusion, it is apparent that there is not one social class that Africans belonged to in the Ancient Greek civilization, and thus, it is quite possible they participated in all social class levels. Learning Objective: Review and craft the proper elements of a short historical analysis. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Liam Boris Subject The topic of the resource Greek-African Art Description An account of the resource The images/objects that I have chosen have conflicting views upon the status of Africans (or Ethiopians) in Ancient Greece. It should be therefore be asserted that individual Africans were held at different social classes in the ancient Greek civilization. On the one hand, the Bronze statues displays a youth of African descent as very strong and able. The statue of the young boy displays strong core, back, and leg muscles, indicating that he is a hard worker. Additionally, the description states that the garment “is characteristic of artisans”, demonstrating that the boy was not in the lowest class. On the other hand, the Terracotta perfume jug shows a boy of similar age being in total submission. He is crouched about and rather skinny. Additionally, the nature of being on a perfume bottle was possibly a way that his masters could have mocked him. In conclusion, it is apparent that there is not one social class that Africans belonged to in the Ancient Greek civilization, and thus, it is quite possible they participated in all social class levels. Learning Objective: Review and craft the proper elements of a short historical analysis. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bronze statuette of an African (known as Ethiopian) youth Subject The topic of the resource Hellenistic Art Source A related resource from which the described resource is derived The Metropolitan Museum of Art Publisher An entity responsible for making the resource available <a href="https://www.metmuseum.org/toah/works-of-art/18.145.10/">The Metropolitan Museum of Art</a> Date A point or period of time associated with an event in the lifecycle of the resource 3rd-2nd Century B.C.E. Rights Information about rights held in and over the resource Image belongs to the Metropolitan Museum of Art. Format The file format, physical medium, or dimensions of the resource Image Language A language of the resource English Type The nature or genre of the resource Bronze Creator An entity primarily responsible for making the resource Greek Description An account of the resource The images/objects that I have chosen have conflicting views upon the status of Africans (or Ethiopians) in Ancient Greece. It should be therefore be asserted that individual Africans were held at different social classes in the ancient Greek civilization. On the one hand, the Bronze statues displays a youth of African descent as very strong and able. The statue of the young boy displays strong core, back, and leg muscles, indicating that he is a hard worker. Additionally, the description states that the garment “is characteristic of artisans”, demonstrating that the boy was not in the lowest class. On the other hand, the Terracotta perfume jug shows a boy of similar age being in total submission. He is crouched about and rather skinny. Additionally, the nature of being on a perfume bottle was possibly a way that his masters could have mocked him. In conclusion, it is apparent that there is not one social class that Africans belonged to in the Ancient Greek civilization, and thus, it is quite possible they participated in all social class levels. Learning Objective: Review and craft the proper elements of a short historical analysis. https://jacknorton.org/1101-online-sp19/files/original/4730404cc1d645da2d83cdd372b5d9fe.jpg 897c813aa062e612f9a39639098c874a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Banh Tu Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Terracotta column-krater (bowl for mixing win and water) Subject The topic of the resource Late Classical vases Description An account of the resource "Period: Late Classical Date: ca 360-350 B.C Dimensions: H. 201/4 in. (51.5cm) Classification: vase" The two objects I chose was between the Archaic and Hellenistic period. I can by looking at the two objects the art style is different. The jar from the Archaic period the people is color in black and the background is brown. As for the bowl in the Hellenistic period its reverse where the people are left in brown and white while the background is cover in black. However, both objects show a great deal in heroic character or someone famous. From looking at the two objects it’s tells me that people during that time idolize strong and heroic people, because they displace warrior carrying weapons. I can see why artists choose to do that kind of drawing on the jar because, they were constantly in war with other region and people. Show the artist portrait that to inspired younger kids to be brave and defend their country and its people. I can only guess that the potteries were belonging to high class society because of the of the design and the detail that on it. From looking at all the art we were doing for class I want to learn more about the process the artist used to created those piece of art and does that transfer to the architecture of the monument they build. Creator An entity primarily responsible for making the resource "Greek, South Italian, Apulian" Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/art/collection/search/254649" target="_blank" rel="noreferrer noopener">The Metropolitan Museum</a> Contributor An entity responsible for making contributions to the resource Banh Tu Rights Information about rights held in and over the resource Copyright, Metropolitan Museum https://jacknorton.org/1101-online-sp19/files/original/5eb4220e7cdf83ee023d6d6a3f1f1e5d.jpg fd4edd5f0d4db5ef61613c5e02976e7b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Banh Tu Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Terracotta neck-amphora jar (neck) Subject The topic of the resource Archaic Jar Description An account of the resource "Period: Archaic Date: ca. 530 B.C Dimensions: H. 157/8in (40.3cm) Classification: Vases" The two objects I chose was between the Archaic and Hellenistic period. I can by looking at the two objects the art style is different. The jar from the Archaic period the people is color in black and the background is brown. As for the bowl in the Hellenistic period its reverse where the people are left in brown and white while the background is cover in black. However, both objects show a great deal in heroic character or someone famous. From looking at the two objects it’s tells me that people during that time idolize strong and heroic people, because they displace warrior carrying weapons. I can see why artists choose to do that kind of drawing on the jar because, they were constantly in war with other region and people. Show the artist portrait that to inspired younger kids to be brave and defend their country and its people. I can only guess that the potteries were belonging to high class society because of the of the design and the detail that on it. From looking at all the art we were doing for class I want to learn more about the process the artist used to created those piece of art and does that transfer to the architecture of the monument they build. Creator An entity primarily responsible for making the resource Probably "Greek, Attic" Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/art/collection/search/246725" target="_blank" rel="noreferrer noopener">Metropolitan Museum</a> Contributor An entity responsible for making contributions to the resource Banh Tu Rights Information about rights held in and over the resource Copyright. The Metropolitan Museum https://jacknorton.org/1101-online-sp19/files/original/8e7228363bfe591b4ad08f61e826f5fb.jpg fd4edd5f0d4db5ef61613c5e02976e7b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Garrett Jacobson Subject The topic of the resource Archaic Greek/African Art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Terracotta neck-amphora (jar) Subject The topic of the resource Archaic Terracotta neck amphora jar Description An account of the resource "Medium: Terracotta; black-figure Dimensions: H. 15 7/8 in. (40.3 cm) Classification: Vases" From the museum website description The pieces of ancient art I decided to choose are terracotta jars, crafted by Greek painters. Painted on to the jars are Ethiopian people who were observed and painted in 530-500 B.C. These pieces of art give us great insight to what it was like to be alive in the Archaic period. On one of the jars, we see three Ethiopian people wearing large cloak-like garb. On the other jar two men are dressed in warrior garb with that being a helmet and a loincloth, while the woman depicted is wearing cloak-garb, similar to the subjects painted on the other jar. This shows the type of clothing worn by natives of the time that must have fit their climate and culture. On the other side of the jar, are three warriors holding weapons, the soldiers painted here were battling in the Trojan war. On the other jar we see dead warriors slain during the Trojan war, being carried off the battlefield. This shows that there was constant conflict, and the Ethiopian people were often subjected to danger, allowing for a not so subtle life. Also this shows that preserving the dead mattered in their culture. Creator An entity primarily responsible for making the resource "Attributed to an artist near Exekias" Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/toah/works-of-art/98.8.13/">Metropolitan Museum of Art</a> Publisher An entity responsible for making the resource available Metropolitan Museum of Art Date A point or period of time associated with an event in the lifecycle of the resource 530 B.C. Contributor An entity responsible for making contributions to the resource Garrett Jacobson Rights Information about rights held in and over the resource Copyright, The Metropolitan Museum of Art Used here for educational purposes only. Format The file format, physical medium, or dimensions of the resource "Dimensions: H. 15 7/8 in. (40.3 cm)" Language A language of the resource English Type The nature or genre of the resource JPEG Photograph Identifier An unambiguous reference to the resource within a given context URL Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Archaic Period https://jacknorton.org/1101-online-sp19/files/original/763abf7176ab27d36dcc7b788a17a2c8.jpg 195a8f19731f45f2cce688b4ac520b93 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Garrett Jacobson Subject The topic of the resource Archaic Greek/African Art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Terracotta neck-amphora (jar) Subject The topic of the resource Archaic Terracotta neck-amphora (jar) Description An account of the resource "Medium: Terracotta; black-figure Dimensions: H. 7 3/16 in. (18.3 cm) diameter of mouth 3 7/16 in. (8.7 cm) diameter of foot 2 5/8 in. (6.6 cm) Classification: Vases" From website description The pieces of ancient art I decided to choose are terracotta jars, crafted by Greek painters. Painted on to the jars are Ethiopian people who were observed and painted in 530-500 B.C. These pieces of art give us great insight to what it was like to be alive in the Archaic period. On one of the jars, we see three Ethiopian people wearing large cloak-like garb. On the other jar two men are dressed in warrior garb with that being a helmet and a loincloth, while the woman depicted is wearing cloak-garb, similar to the subjects painted on the other jar. This shows the type of clothing worn by natives of the time that must have fit their climate and culture. On the other side of the jar, are three warriors holding weapons, the soldiers painted here were battling in the Trojan war. On the other jar we see dead warriors slain during the Trojan war, being carried off the battlefield. This shows that there was constant conflict, and the Ethiopian people were often subjected to danger, allowing for a not so subtle life. Also this shows that preserving the dead mattered in their culture. Creator An entity primarily responsible for making the resource "Attributed to the Diosphos Painter" Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/toah/works-of-art/56.171.25/">Metropolitan Museum of Art</a> Publisher An entity responsible for making the resource available Metropolitan Museum of Art Date A point or period of time associated with an event in the lifecycle of the resource 500 B.C. Contributor An entity responsible for making contributions to the resource Garrett Jacobson Rights Information about rights held in and over the resource Copyright, The Metropolitan Museum of Art Used here for educational purposes only. Format The file format, physical medium, or dimensions of the resource Dimensions: H. 7 3/16 in. (18.3 cm) diameter of mouth 3 7/16 in. (8.7 cm) diameter of foot 2 5/8 in. (6.6 cm) Language A language of the resource English Type The nature or genre of the resource JPEG Photograph Identifier An unambiguous reference to the resource within a given context URL Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Archaic Period