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                <text>&lt;a href="https://www.britannica.com/place/Byzantine-Empire" title="Byzantine Empire HISTORICAL EMPIRE, EURASIA"&gt;https://www.britannica.com/place/Byzantine-Empire&lt;/a&gt;</text>
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                <text>© A De Gregorio—DeA Picture Library/age fotostock</text>
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                <text>Limestone statuette of Pan </text>
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                <text>"Cypriot deity of rural life and fertility"</text>
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                <text>"This figure with the horns and ears of a goat wears an animal skin and holds a syrinx (double pipes) and a pedum (shepherd's crook). Images of this type first appeared in Cypriot sanctuaries during the Hellenistic period. They may represent Pan, the Greek god who protected herdsmen and shepherds, or they may be associated with Opaon Melanthios, a Cypriot deity of rural life and fertility, who is known from inscriptions."&#13;
&#13;
This object that was from the Cyprus society during the Hellenistic period tells us that the poor and homeless had their own gods or traditions to help them out through out their challenges. Specifically this object shows a reference to a Greek god named Pan who helped out the needy,shepherds and herdsmen. This object seems to be taken seriously since it would be found in Cypriot sanctuaries. Seems like many didn’t help out the poor, so the poor needed some type of help or someone to pray to. This object shows that the poor may have not been helped right away.&#13;
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                <text>&lt;a href="https://www.metmuseum.org/art/collection/search/242286" target="_blank" rel="noreferrer noopener"&gt;https://www.metmuseum.org/art/collection/search/242286&lt;/a&gt;The Metropolitan Museum of Art</text>
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                <text>The Metropolitan Museum of Art </text>
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                <text>"1000 B.C.-A.D. 1 (33,074)"</text>
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                <text>Julieta Garcia-Cordova</text>
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                <text>Copyright, The Metropolitan Museum Art. &#13;
Used here for educational purposes only.</text>
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                <text>"The Cesnola Collection, Purchased by subscription, 1874–76"</text>
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                <text>"Overall: 12 1/2 x 5 1/2 x 2 3/4 in. (31.8 x 14 x 7 cm)"</text>
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                <text>"Cesnola, Luigi Palma di. 1885. A Descriptive Atlas of the Cesnola Collection of Cypriote Antiquities in the Metropolitan Museum of Art, New York, Vol. 1. pl. CXIX.867, Boston: James R. Osgood and Company."</text>
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                <text>"Limestone statuette of Pan or Opaon Melanthios"&#13;
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                <text>This map helps give us an idea as to where the plague may have started as it is believed to have originated on the Silk Road.</text>
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&#13;
The two items I choose tell and show us how the sculptures were made in the Hellenistic period. They both show how they were dressed with robe like clothing and very loose clothing. From the readings we read this week it talked about how the sculptures were all dressed with loose clothing which proves my point in the pictures. This shows us how the people of this period had a strict dressing option for clothes and how they always choose to wear loose clothing. When you also look closely at the two objects you can see a lot of emotion which also tells us how the creators were so precise in making these sculptures. The big picture is that these objects were two big pieces in history because they show and tell us how they were made, we can learn so much from just looking at them. My learning objective is to understand a little more about how they made them so precisely.&#13;
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Europe (185,178)&#13;
Greece (22,187)</text>
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