6 10 121 https://jacknorton.org/1101-online-sp19/files/original/64600b1e68b2df83e133e7b8151e6a9a.jpg 3a8aebef3c0021938e815e45197a73af Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Charese Brown Subject The topic of the resource Hellenistic and Mauryan Art Contributor An entity responsible for making contributions to the resource Charese Brown Description An account of the resource What do your two objects tell us about everyday life in the period you've selected? <br /><br /> <p><span style="font-weight:400;">I choose two different pieces of art and while they are not exactly from the same time period they are from the past. I also think that while on is a plate and one is jewelry they still have a lot in common with what they are saying about everyday life in those periods. The plate is very emaculate a decorated to perfection which shows that the plate was not just for serving food. It served a high purpose in the house as a decoration. I think it shows that if you have money you buy things that are not needed. No one needs a plate like that unless they have the extra money. I think the jewelry shows the same thing. These prices are so pretty and I think they were worn by people who are higher up in society, but that is just a guess. I truly think the items people had in the past showed how rich you are/how high up in the social system you are. What this shows about everyday life is that people enjoyed luxury if they could afford it. </span></p> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ganymede Jewelry Subject The topic of the resource Hellenistic Art Description An account of the resource "Period: Hellenistic Date: ca. 330–300 B.C. Culture: Greek Medium: Gold, rock crystal, emerald Dimensions: length of necklace 13 in. (33 cm); H. of earrings 2 3/8 in. (6 cm); width of bracelets 3 1/8 in. (8 cm); width of fibulae 1 15/16 in. (5 cm); H. of ring 13/16 in. (2.1 cm) Classification: Gold and Silver Credit Line: Harris Brisbane Dick Fund, 1937 Accession Number: 37.11.8–.17 Creator An entity primarily responsible for making the resource Greek Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/toah/works-of-art/37.11.8-.17/" target="_blank" rel="noreferrer noopener">Metropolitan Museum of Art</a> Date A point or period of time associated with an event in the lifecycle of the resource ca. 330-300 B.C. Contributor An entity responsible for making contributions to the resource Charese Brown Relation A related resource Copyright. The Metropolitan Museum of Art. Used here for educational purposes only. Format The file format, physical medium, or dimensions of the resource Gold and Silver Identifier An unambiguous reference to the resource within a given context Hellenistic Art https://jacknorton.org/1101-online-sp19/files/original/b71f75fbc6e4b99cc278b8628eb63450.jpg efa6034c59540c266a4f7a24e2cdf2a1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Joe Lapadula Subject The topic of the resource Hellenistic Art Description An account of the resource The images that I have chosen both depict Africans in Greek society. One of the images is a bronze statue of craftsman who may have worked at a forge or foundry, and the other is a terracotta vase that shows a fatigued slave or servant. From these images, it can be seen what life may have been like in ancient Greece and what role African individuals may have had in society. In both pieces of art, the subjects are shown working in rough conditions, indicating that they both may have lived in a lower class in Greek society. Based on the readings from the week, it’s stated that it’s still debated between historians whether racial prejudice towards African people existed at the time, however, these two images still depict the hard lives that many people lived at the time. I believe that through looking at art, historians can get a glimpse into the lives of different groups of people that existed in ancient Greece and the conditions that slaves and those in the working class may have been subjected to. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Terracotta vase in the form of a sleeping African (known as Ethiopian) boy Subject The topic of the resource Hellenistic Art Description An account of the resource "Medium:Terracotta Dimensions:H. 8 3/16 in. (20.8 cm) Classification:Vases" The images that I have chosen both depict Africans in Greek society. One of the images is a bronze statue of craftsman who may have worked at a forge or foundry, and the other is a terracotta vase that shows a fatigued slave or servant. From these images, it can be seen what life may have been like in ancient Greece and what role African individuals may have had in society. In both pieces of art, the subjects are shown working in rough conditions, indicating that they both may have lived in a lower class in Greek society. Based on the readings from the week, it’s stated that it’s still debated between historians whether racial prejudice towards African people existed at the time, however, these two images still depict the hard lives that many people lived at the time. I believe that through looking at art, historians can get a glimpse into the lives of different groups of people that existed in ancient Greece and the conditions that slaves and those in the working class may have been subjected to. Creator An entity primarily responsible for making the resource Greek Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/art/collection/search/241816">The Metropolitan Museum of Art</a> Publisher An entity responsible for making the resource available The Metropolitan Museum of Art Date A point or period of time associated with an event in the lifecycle of the resource "ca. 3rd–2nd century B.C." Contributor An entity responsible for making contributions to the resource Joe Lapadula Rights Information about rights held in and over the resource Copyright, The Metropolitan Museum of Art. Used here for educational purposes only Relation A related resource Terracotta Vases Format The file format, physical medium, or dimensions of the resource "H. 8 3/16 in. (20.8 cm)" Language A language of the resource English Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context https://www.metmuseum.org/art/collection/search/241816 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant "ca. 3rd–2nd century B.C." https://jacknorton.org/1101-online-sp19/files/original/2e91798a84007731881fde04f757bc13.jpg b7a59d76fec9906caa19825053d39513 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Joe Lapadula Subject The topic of the resource Hellenistic Art Description An account of the resource The images that I have chosen both depict Africans in Greek society. One of the images is a bronze statue of craftsman who may have worked at a forge or foundry, and the other is a terracotta vase that shows a fatigued slave or servant. From these images, it can be seen what life may have been like in ancient Greece and what role African individuals may have had in society. In both pieces of art, the subjects are shown working in rough conditions, indicating that they both may have lived in a lower class in Greek society. Based on the readings from the week, it’s stated that it’s still debated between historians whether racial prejudice towards African people existed at the time, however, these two images still depict the hard lives that many people lived at the time. I believe that through looking at art, historians can get a glimpse into the lives of different groups of people that existed in ancient Greece and the conditions that slaves and those in the working class may have been subjected to. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bronze statuette of an African (known as Ethiopian) youth Subject The topic of the resource Hellenistic Art Description An account of the resource "Medium:Bronze Dimensions:H. 18.29 cm. Classification:Bronzes" The images that I have chosen both depict Africans in Greek society. One of the images is a bronze statue of craftsman who may have worked at a forge or foundry, and the other is a terracotta vase that shows a fatigued slave or servant. From these images, it can be seen what life may have been like in ancient Greece and what role African individuals may have had in society. In both pieces of art, the subjects are shown working in rough conditions, indicating that they both may have lived in a lower class in Greek society. Based on the readings from the week, it’s stated that it’s still debated between historians whether racial prejudice towards African people existed at the time, however, these two images still depict the hard lives that many people lived at the time. I believe that through looking at art, historians can get a glimpse into the lives of different groups of people that existed in ancient Greece and the conditions that slaves and those in the working class may have been subjected to. Creator An entity primarily responsible for making the resource Greek Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/art/collection/search/250673">The Metropolitan Museum of Art</a> Publisher An entity responsible for making the resource available The Metropolitan Museum of Art Date A point or period of time associated with an event in the lifecycle of the resource "3rd–2nd century B.C." Contributor An entity responsible for making contributions to the resource Joe Lapadula Rights Information about rights held in and over the resource Copyright, The Metropolitan Museum of Art. Used here for educational purposes only Relation A related resource Bronze Statues Format The file format, physical medium, or dimensions of the resource "H. 18.29 cm." Language A language of the resource English Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context https://www.metmuseum.org/art/collection/search/250673 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant "3rd–2nd century B.C." https://jacknorton.org/1101-online-sp19/files/original/2cf4299128de53c484fb9db69d55a31a.jpg fc7bc8e49c1bbef25702fb258e515765 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Molly Rapp Subject The topic of the resource Ancient Hellenistic Period Art Description An account of the resource Although Mauryan Period art features women, Hellenistic art features women in a more everyday sense though their depiction of clothing, physical appearance, and position of body in their sculptures. Both pieces I chose to analyze were sculptures made of Terracotta and featured two standing women. One being a seemingly younger girl and one being a woman. By comparing and contrasting the physical characteristics of these two females, I hope to draw conclusions about everyday life of a woman in the Hellenistic Period. Both females are wrapped in “himation (cloaks)” and they are both wrapped tightly around their body. This is believed to be used for a fashion statement and it resembles everyday clothing of women and girls. Unlike most Mauryan pieces, which feature deities, you see both women standing naturally in these sculptures. The young girl is a little hunched in a child-like way and the light smile hints at a child nature. According to Metropolitan Museum of Art, children were no longer represented as miniature adults but rather were given childlike proportions and features in the Hellenistic time period. This shows us a more “real” sense of humanity during that time period. Even in the sculpture of the woman, we see drapes of cloth as clothing rather than them being naked. This shows a more everyday approach to artwork. The Metropolitan Museum also states that some Hellenistic art pieces featured “women...are seated or playing games”. This certainly speaks towards the portrayal of everyday life. I wish to further analyze the “why” to certain clothing pieces, accessories, and the functions of both of those used in tandem. I also wish to relearn the three major parts of a thesis statement. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Terracotta Statuette of a Standing Woman Subject The topic of the resource Hellenistic Sculptural Art Description An account of the resource "Medium: Terracotta Dimensions: H. 6 7/16 in. (16.4 cm) Classification: Terracottas" Although Mauryan Period art features women, Hellenistic art features women in a more everyday sense though their depiction of clothing, physical appearance, and position of body in their sculptures. Both pieces I chose to analyze were sculptures made of Terracotta and featured two standing women. One being a seemingly younger girl and one being a woman. By comparing and contrasting the physical characteristics of these two females, I hope to draw conclusions about everyday life of a woman in the Hellenistic Period. Both females are wrapped in “himation (cloaks)” and they are both wrapped tightly around their body. This is believed to be used for a fashion statement and it resembles everyday clothing of women and girls. Unlike most Mauryan pieces, which feature deities, you see both women standing naturally in these sculptures. The young girl is a little hunched in a child-like way and the light smile hints at a child nature. According to Metropolitan Museum of Art, children were no longer represented as miniature adults but rather were given childlike proportions and features in the Hellenistic time period. This shows us a more “real” sense of humanity during that time period. Even in the sculpture of the woman, we see drapes of cloth as clothing rather than them being naked. This shows a more everyday approach to artwork. The Metropolitan Museum also states that some Hellenistic art pieces featured “women...are seated or playing games”. This certainly speaks towards the portrayal of everyday life. I wish to further analyze the “why” to certain clothing pieces, accessories, and the functions of both of those used in tandem. I also wish to relearn the three major parts of a thesis statement. Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/toah/works-of-art/09.221.28/" target="_blank" rel="noreferrer noopener">The Metropolitan Museum of Art</a> Date A point or period of time associated with an event in the lifecycle of the resource "Date: late 4th–early 3rd century B.C." Contributor An entity responsible for making contributions to the resource Molly Rapp Rights Information about rights held in and over the resource Copy Right, The Metropolitan Museum of Art. Used for Educational Purposes Only. Format The file format, physical medium, or dimensions of the resource Terracotta Type The nature or genre of the resource Sculpture https://jacknorton.org/1101-online-sp19/files/original/35370b7864e872f73066cc847026738b.JPG fabc60b9dc5b71a985f712546f78b3dc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sara Ferguson Subject The topic of the resource Mauryan Art Collection Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bust of a Female Deity (Yakashi?) Subject The topic of the resource Sculpture Description An account of the resource From The Metropolitan Museum of Art website, "Date: 3rd-2nd century B.C. Culture: India Dimensions :3 1/2 x 2 1/2 in. (8.9 x 6.4 cm) Medium: Gray Clay" A small sculpture of the torso of a Female Deity believed to be Yakashi. These sculptures present that early India was very religious and seemed to worship the same Female Deity, possibly Yakashi, throughout. They also show that different materials were used depending on the location and origin of the sculpture. The Standing Female Deity (from Northern India) was created using terracotta and black oxidation patina, whereas the Bust of a Female Deity (Yakashi?) (From India) was constructed with grey clay. I can conclude that the material that was used either showed significance or was the only material available at that time (some families only had access to certain material). With that being said, the wide range of materials proves that a wide range of people were depicting possibly the same entity, no matter the social class or experience of the artist themselves. The sculptures also seem to be around the same size, ranging from 16-9 cm. This shows that they were accustomed to only making smaller sculptures, or they didn’t have enough material to make larger sculptures. Or, another possibility is that large sculptures may not have survived. Source A related resource from which the described resource is derived Rogers Fund, 1928 Publisher An entity responsible for making the resource available Metropolitan Museum of Art Rights Information about rights held in and over the resource Metropolitan Museum of Art. Used for educational purposes only. Type The nature or genre of the resource Sculpture Creator An entity primarily responsible for making the resource Indian https://jacknorton.org/1101-online-sp19/files/original/91302556269869265809c931401c2294.jpg f379fcc698279389115792985fc91477 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sara Ferguson Subject The topic of the resource Mauryan Art Collection Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Standing Female Deity Subject The topic of the resource Sculpture Description An account of the resource From the Metropolitan Museum of Art website, "Date: 3rd-2nd century B.C. Medium: Terracotta, black oxidation patina Dimensions :H. 6 1/4 in. (15.9 cm); W. 4 3/4 in. (12.1 cm); D. 1 7/8 in. (14.8 cm)" Sculpture of a standing Deity with a large head piece and necklace. These sculptures present that early India was very religious and seemed to worship the same Female Deity, possibly Yakashi, throughout. They also show that different materials were used depending on the location and origin of the sculpture. The Standing Female Deity (from Northern India) was created using terracotta and black oxidation patina, whereas the Bust of a Female Deity (Yakashi?) (From India) was constructed with grey clay. I can conclude that the material that was used either showed significance or was the only material available at that time (some families only had access to certain material). With that being said, the wide range of materials proves that a wide range of people were depicting possibly the same entity, no matter the social class or experience of the artist themselves. The sculptures also seem to be around the same size, ranging from 16-9 cm. This shows that they were accustomed to only making smaller sculptures, or they didn’t have enough material to make larger sculptures. Or, another possibility is that large sculptures may not have survived. Creator An entity primarily responsible for making the resource North Indian Source A related resource from which the described resource is derived Anonymous Gift to The Met 1978 Publisher An entity responsible for making the resource available Metropolitan Museum of Art Rights Information about rights held in and over the resource The Metropolitan Museum of Art. Used for educational purposes only. Type The nature or genre of the resource Sculpture https://jacknorton.org/1101-online-sp19/files/original/9103f843ac9fde8087e32a64f0ae43a1.jpg 39770ca845de7d0593feb43ff5c928e2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Molly Rapp Subject The topic of the resource Ancient Hellenistic Period Art Description An account of the resource Although Mauryan Period art features women, Hellenistic art features women in a more everyday sense though their depiction of clothing, physical appearance, and position of body in their sculptures. Both pieces I chose to analyze were sculptures made of Terracotta and featured two standing women. One being a seemingly younger girl and one being a woman. By comparing and contrasting the physical characteristics of these two females, I hope to draw conclusions about everyday life of a woman in the Hellenistic Period. Both females are wrapped in “himation (cloaks)” and they are both wrapped tightly around their body. This is believed to be used for a fashion statement and it resembles everyday clothing of women and girls. Unlike most Mauryan pieces, which feature deities, you see both women standing naturally in these sculptures. The young girl is a little hunched in a child-like way and the light smile hints at a child nature. According to Metropolitan Museum of Art, children were no longer represented as miniature adults but rather were given childlike proportions and features in the Hellenistic time period. This shows us a more “real” sense of humanity during that time period. Even in the sculpture of the woman, we see drapes of cloth as clothing rather than them being naked. This shows a more everyday approach to artwork. The Metropolitan Museum also states that some Hellenistic art pieces featured “women...are seated or playing games”. This certainly speaks towards the portrayal of everyday life. I wish to further analyze the “why” to certain clothing pieces, accessories, and the functions of both of those used in tandem. I also wish to relearn the three major parts of a thesis statement. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Terracotta Statuette of a Standing Girl Subject The topic of the resource Hellenistic Sculptural Art Description An account of the resource Medium: Terracotta Dimensions: Overall: 4 1/2 x 1 3/4 x 1 1/16 in. (11.4 x 4.4 x 2.6 cm) Classification: Terracottas Although Mauryan Period art features women, Hellenistic art features women in a more everyday sense though their depiction of clothing, physical appearance, and position of body in their sculptures. Both pieces I chose to analyze were sculptures made of Terracotta and featured two standing women. One being a seemingly younger girl and one being a woman. By comparing and contrasting the physical characteristics of these two females, I hope to draw conclusions about everyday life of a woman in the Hellenistic Period. Both females are wrapped in “himation (cloaks)” and they are both wrapped tightly around their body. This is believed to be used for a fashion statement and it resembles everyday clothing of women and girls. Unlike most Mauryan pieces, which feature deities, you see both women standing naturally in these sculptures. The young girl is a little hunched in a child-like way and the light smile hints at a child nature. According to Metropolitan Museum of Art, children were no longer represented as miniature adults but rather were given childlike proportions and features in the Hellenistic time period. This shows us a more “real” sense of humanity during that time period. Even in the sculpture of the woman, we see drapes of cloth as clothing rather than them being naked. This shows a more everyday approach to artwork. The Metropolitan Museum also states that some Hellenistic art pieces featured “women...are seated or playing games”. This certainly speaks towards the portrayal of everyday life. I wish to further analyze the “why” to certain clothing pieces, accessories, and the functions of both of those used in tandem. I also wish to relearn the three major parts of a thesis statement. Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/toah/works-of-art/07.286.31/" target="_blank" rel="noreferrer noopener">The Metropolitan Museum of Art</a> Date A point or period of time associated with an event in the lifecycle of the resource ca. 300 B.C. Contributor An entity responsible for making contributions to the resource Molly Rapp Rights Information about rights held in and over the resource Copy Right, The Metropolitan Museum of Art. Used for Educational Purposes Only. Format The file format, physical medium, or dimensions of the resource Terracotta Type The nature or genre of the resource Sculpture https://jacknorton.org/1101-online-sp19/files/original/fb9dde3d8aa0f172d952799fc018fb2c.jpg efa6034c59540c266a4f7a24e2cdf2a1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anna Lucas Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Terracotta vase in the form of a sleeping African (known as Ethiopian) boy Subject The topic of the resource Hellenistic terracotta vase Description An account of the resource "Medium: Terracotta Dimensions: H. 8 3/16 in. (20.8 cm) Classification: Vases" These sculptures of Ethiopians tell us a lot about how they were viewed in Greek culture during the 3rd-2nd century B.C. The Terracotta vase in the form of a sleeping African (known as Ethiopian) boy, is a sculpture of a young boy that is naked and weary. He seems poor as he has no clothing or shoes to wear. He is sleeping and looks extremely exhausted, indicating a long day of work, possibly as a slave. The title of the sculpture indicates that the subject is a young Ethiopian boy. This comments on the dehumanizing way Greek’s saw Ethiopians. They seemed to be categorized as servants and workers comparable to a brute. The other sculpture I choose is called Bronze statuette of an African (known as Ethiopian) youth. The subject’s clothing covers almost nothing and his prominent muscles suggest years of manual labor. His eyes seem to be hollowed out, which is another detail that makes him look like more of an animal or monster rather than a human. These pieces comment on the racial prejudice Greeks had against Africans at this time even though they had little contact with them. I wish to review how to effectively analyze artwork. Creator An entity primarily responsible for making the resource Greek Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/toah/works-of-art/74.51.2263/" target="_blank" rel="noreferrer noopener">The Metropolitan Museum of Art</a> Date A point or period of time associated with an event in the lifecycle of the resource ca. 3rd–2nd century B.C. Contributor An entity responsible for making contributions to the resource Anna Lucas Rights Information about rights held in and over the resource Copyright, The Metropolitan Museum of Art. Used here for educational purposes only. https://jacknorton.org/1101-online-sp19/files/original/f4c4acf3d17681defca04a4b1e7b941e.jpg b7a59d76fec9906caa19825053d39513 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anna Lucas Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bronze statuette of an African (known as Ethiopian) youth Subject The topic of the resource Hellenistic bronze art Description An account of the resource "Medium: Bronze Dimensions: H. 18.29 cm. Classification: Bronzes" These sculptures of Ethiopians tell us a lot about how they were viewed in Greek culture during the 3rd-2nd century B.C. The Terracotta vase in the form of a sleeping African (known as Ethiopian) boy, is a sculpture of a young boy that is naked and weary. He seems poor as he has no clothing or shoes to wear. He is sleeping and looks extremely exhausted, indicating a long day of work, possibly as a slave. The title of the sculpture indicates that the subject is a young Ethiopian boy. This comments on the dehumanizing way Greek’s saw Ethiopians. They seemed to be categorized as servants and workers comparable to a brute. The other sculpture I choose is called Bronze statuette of an African (known as Ethiopian) youth. The subject’s clothing covers almost nothing and his prominent muscles suggest years of manual labor. His eyes seem to be hollowed out, which is another detail that makes him look like more of an animal or monster rather than a human. These pieces comment on the racial prejudice Greeks had against Africans at this time even though they had little contact with them. I wish to review how to effectively analyze artwork. Creator An entity primarily responsible for making the resource Greek Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/toah/works-of-art/18.145.10/">The Metropolitan Museum of Art</a> Date A point or period of time associated with an event in the lifecycle of the resource 3rd–2nd century B.C. Contributor An entity responsible for making contributions to the resource Anna Lucas Rights Information about rights held in and over the resource Copyright, The Metropolitan Museum of Art. Used here for educational purposes only. https://jacknorton.org/1101-online-sp19/files/original/ba42fb12fed25f3baba5340f03c09bae.jpg 4067191c9f72c7666c6c769e439b0f87 Hyperlink A link, or reference, to another resource on the Internet. URL http://amica.davidrumsey.com/luna/servlet/detail/AMICO~1~1~33624~89290 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource David O'Keefe Athenian Tetradrachm: Female Head (obverse) Subject The topic of the resource An Athenian Statue of a female head Date A point or period of time associated with an event in the lifecycle of the resource 4000 BC Contributor An entity responsible for making contributions to the resource The Cleveland Museum of Art Rights Information about rights held in and over the resource Open Access Type The nature or genre of the resource Image