6 10 121 https://jacknorton.org/1101-online-sp19/files/original/79de7aef9dd4e7b8b385d78c4dac809d.jpg 71565ca7eb86c3504aff87af2ad5a84d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Poverty Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Scribe Nebmerutef Subject The topic of the resource Egyptian artifact Description An account of the resource This artifact shows a scribe being watched over. My guess would be that Scribes were looked at with respect in the time this was created, which would be why he was being watched over by the god Thoth. So, this would lead me to believe that people of a lower class or lower respect value would not be watched over by their gods. Which would indicate that they are not as worthy as the higher respected people. Source A related resource from which the described resource is derived <a href="https://www.louvre.fr/en/oeuvre-notices/scribe-nebmerutef" title="The Louvre" target="_blank" rel="noreferrer noopener">https://www.louvre.fr/en/oeuvre-notices/scribe-nebmerutef</a> Publisher An entity responsible for making the resource available <a href="https://www.louvre.fr/en/oeuvre-notices/scribe-nebmerutef" title="The Louvre" target="_blank" rel="noreferrer noopener">https://www.louvre.fr/en/oeuvre-notices/scribe-nebmerutef</a> Date A point or period of time associated with an event in the lifecycle of the resource 1550 to circa 1069 BCE Contributor An entity responsible for making contributions to the resource Britt Halaas Relation A related resource <a href="https://www.nytimes.com/2011/05/21/arts/21iht-Melikian21.html" title="New York Times">https://www.nytimes.com/2011/05/21/arts/21iht-Melikian21.html</a> Format The file format, physical medium, or dimensions of the resource Physical medium Language A language of the resource French Type The nature or genre of the resource Statue Creator An entity primarily responsible for making the resource Egypt https://jacknorton.org/1101-online-sp19/files/original/fc4e092d3e9188e349fd6b232f880243.jpg 9e2b2d91093eb74eb9eaec7dc6c37dd9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Garrett Jacobson Subject The topic of the resource Archaic Greek/African Art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Justinian I Gold Solidus Subject The topic of the resource Gold coin from Justinian I empire Description An account of the resource First full frontal portrait on a gold coin, which became the standard for the rest of Byzantine history Creator An entity primarily responsible for making the resource Emperor Justinian I Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/art/collection/search/469160" title="Gold Solidus of Justinian I">https://www.metmuseum.org/art/collection/search/469160</a> Publisher An entity responsible for making the resource available The Metropolian Museum Date A point or period of time associated with an event in the lifecycle of the resource 538-565 CE Contributor An entity responsible for making contributions to the resource Joseph H. Durkee, 1898 Rights Information about rights held in and over the resource Public domain Format The file format, physical medium, or dimensions of the resource Coin Type The nature or genre of the resource Coin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anna Lucas Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Augustus Becomes the First Roman Emperor Subject The topic of the resource Ancient Rome Creator An entity primarily responsible for making the resource Gale Reference Library Source A related resource from which the described resource is derived <a href="http://go.galegroup.com.ndcproxy.mnpals.net/ps/i.do?id=GALE%7CCX3728000515&amp;v=2.1&amp;u=mnanorman&amp;it=r&amp;p=GVRL&amp;sw=w&amp;asid=2ab5235c8fd3931536bb99be91d30e99" target="_blank" rel="noreferrer noopener">Gale Reference Library</a> Contributor An entity responsible for making contributions to the resource Anna Lucas Rights Information about rights held in and over the resource Copyright. Gale Reference Library Used for educational purposes only Type The nature or genre of the resource Website Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Poverty Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marble column from the Temple of Artemis at Sardis<br /><br /><a href="https://www.metmuseum.org/art/collection/search/252453" target="_blank" rel="noreferrer noopener">https://www.metmuseum.org/art/collection/search/252453</a><br />The Metropolitan Museum of Art Subject The topic of the resource Hellenistic marble art Description An account of the resource This object tells up about poverty by the wait looks and how it is placed. It is nicely done but the spot in the middle can show how empty feeling that person was when it was made and how poor and maybe even lonely feeling they were. Also if you look closely you can see some uneven spots and you can take that in as everything isn't going to be easy and that there are going to be rough patches. This is a description on how it all isn't easy. Creator An entity primarily responsible for making the resource Greek Source A related resource from which the described resource is derived https://www.metmuseum.org/art/collection/search/252453 Date A point or period of time associated with an event in the lifecycle of the resource ca. 300 B.C. Contributor An entity responsible for making contributions to the resource Samantha Weiss Rights Information about rights held in and over the resource Copyright, The Metropolitan Museum of Art. Used here for educational purposes only. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Poverty Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pair of Gold Armbands Subject The topic of the resource Hellenistic Art Description An account of the resource "Culture:Greek Medium:Gold Dimensions:Overall: 10 7/16in., 0.4lb. (26.5cm, 0.2kg) Other (height-triton armband): 9 13/16in. (25cm) Other (height-tritoness armband): 10 7/16in. (26.5cm) Classification:Gold and Silver Credit Line:Rogers Fund, 1956 Accession Number:56.11.5, .6"<br /><br /> <p><span style="font-weight:400;">The gold armbands tell the viewer that people of the time wore some very expensive items. These arm bands are pure gold and had to be held up by clothing which makes them a little impractical. When looking at this in regards to poverty it shows that some people did not have an issue with money as they could easily afford them. If a ruler or someone from a royle family wore these we can assume gold was for the rich and that normal people of the society did not get to wear these.  </span></p> Creator An entity primarily responsible for making the resource Greek Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/art/collection/search/254842" target="_blank" rel="noreferrer noopener">The Metropolitan Museum of Art</a> Publisher An entity responsible for making the resource available The Metropolitan Museum of Art Date A point or period of time associated with an event in the lifecycle of the resource 200 B.C. Contributor An entity responsible for making contributions to the resource Charese Brown Rights Information about rights held in and over the resource Copyright, The Metropolitan Museum of Art. Used here for educational purposes only. Relation A related resource Gold jewelry Format The file format, physical medium, or dimensions of the resource File Format: Jpeg "Medium: Gold Dimensions:Overall: 10 7/16in., 0.4lb. (26.5cm, 0.2kg) Other (height-triton armband): 9 13/16in. (25cm) Other (height-tritoness armband): 10 7/16in. (26.5cm)" Language A language of the resource English Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context https://www.metmuseum.org/art/collection/search/254842 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 200 B.C. Greece Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Poverty Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bronze ring Subject The topic of the resource Hellenistic jewelry Description An account of the resource "Medium:Bronze, gold Dimensions:Length: 1 1/8 in. (2.9 cm) Classification:Gems" Jewelry was important in the lives of people in Ancient Greece and was given as gifts during major events in people’s lives. By looking at the material that the jewelry was made from, it can show the differences in wealth between people. This ring was made primarily from bronze which was a cheaper material, and a tiny amount of gold. My assumption would be that the person who owned the ring may have been in a lower to middle class in society based on the materials in the ring. Creator An entity primarily responsible for making the resource Greek Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/art/collection/search/253708" target="_blank" rel="noreferrer noopener">The Metropolitan Museum of Art</a> Publisher An entity responsible for making the resource available The Metropolitan Museum of Art Date A point or period of time associated with an event in the lifecycle of the resource "ca. 3rd century B.C." Contributor An entity responsible for making contributions to the resource Joe Lapadula Rights Information about rights held in and over the resource Copyright, The Metropolitan Museum of Art. Used here for educational purposes only. Relation A related resource Bronze Jewelry Format The file format, physical medium, or dimensions of the resource "Length: 1 1/8 in. (2.9 cm)" Language A language of the resource English Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context https://www.metmuseum.org/art/collection/search/253708 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ca. 3rd century B.C. Greece Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Poverty Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Limestone statuette of Pan Subject The topic of the resource "Cypriot deity of rural life and fertility" Description An account of the resource "This figure with the horns and ears of a goat wears an animal skin and holds a syrinx (double pipes) and a pedum (shepherd's crook). Images of this type first appeared in Cypriot sanctuaries during the Hellenistic period. They may represent Pan, the Greek god who protected herdsmen and shepherds, or they may be associated with Opaon Melanthios, a Cypriot deity of rural life and fertility, who is known from inscriptions." This object that was from the Cyprus society during the Hellenistic period tells us that the poor and homeless had their own gods or traditions to help them out through out their challenges. Specifically this object shows a reference to a Greek god named Pan who helped out the needy,shepherds and herdsmen. This object seems to be taken seriously since it would be found in Cypriot sanctuaries. Seems like many didn’t help out the poor, so the poor needed some type of help or someone to pray to. This object shows that the poor may have not been helped right away. Creator An entity primarily responsible for making the resource Greek Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/art/collection/search/242286" target="_blank" rel="noreferrer noopener">https://www.metmuseum.org/art/collection/search/242286</a>The Metropolitan Museum of Art Publisher An entity responsible for making the resource available The Metropolitan Museum of Art Date A point or period of time associated with an event in the lifecycle of the resource "1000 B.C.-A.D. 1 (33,074)" Contributor An entity responsible for making contributions to the resource Julieta Garcia-Cordova Rights Information about rights held in and over the resource Copyright, The Metropolitan Museum Art. Used here for educational purposes only. Relation A related resource "The Cesnola Collection, Purchased by subscription, 1874–76" Format The file format, physical medium, or dimensions of the resource "Overall: 12 1/2 x 5 1/2 x 2 3/4 in. (31.8 x 14 x 7 cm)" Language A language of the resource English Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context "Cesnola, Luigi Palma di. 1885. A Descriptive Atlas of the Cesnola Collection of Cypriote Antiquities in the Metropolitan Museum of Art, New York, Vol. 1. pl. CXIX.867, Boston: James R. Osgood and Company." Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant "Limestone statuette of Pan or Opaon Melanthios" https://jacknorton.org/1101-online-sp19/files/original/e939ff1059492e8db2977e74b534ae9f.jpg f6e0863372e4675135985dee2a9dc251 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tyler DeWall Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marble statue of Aphrodite Subject The topic of the resource Hellenistic Sculpture Description An account of the resource Medium: Marble Dimensions: H. 32", W. 9 1/2", D. 6 1/2 Classification: Stone Sculpture The two items I choose tell and show us how the sculptures were made in the Hellenistic period. They both show how they were dressed with robe like clothing and very loose clothing. From the readings we read this week it talked about how the sculptures were all dressed with loose clothing which proves my point in the pictures. This shows us how the people of this period had a strict dressing option for clothes and how they always choose to wear loose clothing. When you also look closely at the two objects you can see a lot of emotion which also tells us how the creators were so precise in making these sculptures. The big picture is that these objects were two big pieces in history because they show and tell us how they were made, we can learn so much from just looking at them. My learning objective is to understand a little more about how they made them so precisely. Creator An entity primarily responsible for making the resource Greek Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/art/collection/search/257642" title="The Metropolitan Museum of Art">The Metropolitan Museum of Art</a> Publisher An entity responsible for making the resource available The Metropolitan Museum of Art Date A point or period of time associated with an event in the lifecycle of the resource 2nd century B.C. Contributor An entity responsible for making contributions to the resource Tyler DeWall Rights Information about rights held in and over the resource Copyright. The Metropolitan Museum of Art. Used here for educational purposes only. Relation A related resource Marble Sculptures Format The file format, physical medium, or dimensions of the resource Medium: Marble Dimensions: H. 32", W. 9 1/2", D. 6 1/2 Image Type: Jpeg Language A language of the resource English Type The nature or genre of the resource Image Type Identifier An unambiguous reference to the resource within a given context https://www.metmuseum.org/art/collection/search/257642 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant "Period: Hellenistic Date: 2nd century B.C. Geographic Location Europe (185,178) Greece (22,187) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Liam Boris Subject The topic of the resource Greek-African Art Description An account of the resource The images/objects that I have chosen have conflicting views upon the status of Africans (or Ethiopians) in Ancient Greece. It should be therefore be asserted that individual Africans were held at different social classes in the ancient Greek civilization. On the one hand, the Bronze statues displays a youth of African descent as very strong and able. The statue of the young boy displays strong core, back, and leg muscles, indicating that he is a hard worker. Additionally, the description states that the garment “is characteristic of artisans”, demonstrating that the boy was not in the lowest class. On the other hand, the Terracotta perfume jug shows a boy of similar age being in total submission. He is crouched about and rather skinny. Additionally, the nature of being on a perfume bottle was possibly a way that his masters could have mocked him. In conclusion, it is apparent that there is not one social class that Africans belonged to in the Ancient Greek civilization, and thus, it is quite possible they participated in all social class levels. Learning Objective: Review and craft the proper elements of a short historical analysis. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bronze statuette of an African (known as Ethiopian) youth Subject The topic of the resource Hellenistic Art Source A related resource from which the described resource is derived The Metropolitan Museum of Art Publisher An entity responsible for making the resource available <a href="https://www.metmuseum.org/toah/works-of-art/18.145.10/">The Metropolitan Museum of Art</a> Date A point or period of time associated with an event in the lifecycle of the resource 3rd-2nd Century B.C.E. Rights Information about rights held in and over the resource Image belongs to the Metropolitan Museum of Art. Format The file format, physical medium, or dimensions of the resource Image Language A language of the resource English Type The nature or genre of the resource Bronze Creator An entity primarily responsible for making the resource Greek Description An account of the resource The images/objects that I have chosen have conflicting views upon the status of Africans (or Ethiopians) in Ancient Greece. It should be therefore be asserted that individual Africans were held at different social classes in the ancient Greek civilization. On the one hand, the Bronze statues displays a youth of African descent as very strong and able. The statue of the young boy displays strong core, back, and leg muscles, indicating that he is a hard worker. Additionally, the description states that the garment “is characteristic of artisans”, demonstrating that the boy was not in the lowest class. On the other hand, the Terracotta perfume jug shows a boy of similar age being in total submission. He is crouched about and rather skinny. Additionally, the nature of being on a perfume bottle was possibly a way that his masters could have mocked him. In conclusion, it is apparent that there is not one social class that Africans belonged to in the Ancient Greek civilization, and thus, it is quite possible they participated in all social class levels. Learning Objective: Review and craft the proper elements of a short historical analysis. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Liam Boris Subject The topic of the resource Greek-African Art Description An account of the resource The images/objects that I have chosen have conflicting views upon the status of Africans (or Ethiopians) in Ancient Greece. It should be therefore be asserted that individual Africans were held at different social classes in the ancient Greek civilization. On the one hand, the Bronze statues displays a youth of African descent as very strong and able. The statue of the young boy displays strong core, back, and leg muscles, indicating that he is a hard worker. Additionally, the description states that the garment “is characteristic of artisans”, demonstrating that the boy was not in the lowest class. On the other hand, the Terracotta perfume jug shows a boy of similar age being in total submission. He is crouched about and rather skinny. Additionally, the nature of being on a perfume bottle was possibly a way that his masters could have mocked him. In conclusion, it is apparent that there is not one social class that Africans belonged to in the Ancient Greek civilization, and thus, it is quite possible they participated in all social class levels. Learning Objective: Review and craft the proper elements of a short historical analysis. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Terracotta vase in the form of a sleeping African (known as Ethiopian) boy Subject The topic of the resource Greek Art Creator An entity primarily responsible for making the resource Greek Source A related resource from which the described resource is derived The Metropolitan Museum of Art Publisher An entity responsible for making the resource available <a href="https://www.metmuseum.org/toah/works-of-art/74.51.2263/">The Metropolitan Museum of Art</a> Date A point or period of time associated with an event in the lifecycle of the resource 3rd - 2nd century B.C.E Rights Information about rights held in and over the resource Image belongs to the Metropolitan Museum of Art and is for education purposes only. Format The file format, physical medium, or dimensions of the resource Terracotta Language A language of the resource English Type The nature or genre of the resource Image Description An account of the resource The images/objects that I have chosen have conflicting views upon the status of Africans (or Ethiopians) in Ancient Greece. It should be therefore be asserted that individual Africans were held at different social classes in the ancient Greek civilization. On the one hand, the Bronze statues displays a youth of African descent as very strong and able. The statue of the young boy displays strong core, back, and leg muscles, indicating that he is a hard worker. Additionally, the description states that the garment “is characteristic of artisans”, demonstrating that the boy was not in the lowest class. On the other hand, the Terracotta perfume jug shows a boy of similar age being in total submission. He is crouched about and rather skinny. Additionally, the nature of being on a perfume bottle was possibly a way that his masters could have mocked him. In conclusion, it is apparent that there is not one social class that Africans belonged to in the Ancient Greek civilization, and thus, it is quite possible they participated in all social class levels. Learning Objective: Review and craft the proper elements of a short historical analysis.