4 10 121 https://jacknorton.org/1101-online-sp19/files/original/e9b5dd808c450494b451b1cf78ea4705.jpg adf76b42f50eaddc1decc2bea59deb19 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sarah Pesola Subject The topic of the resource Mauryan and Hellenistic Art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Standing Female Deity Subject The topic of the resource Mauryan Art Creator An entity primarily responsible for making the resource Indian Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/art/collection/search/38431">The Met Museum</a> Publisher An entity responsible for making the resource available The Met Musem Date A point or period of time associated with an event in the lifecycle of the resource 3rd to 2nd Century B.C. Rights Information about rights held in and over the resource Copyright. This image belongs to the Met Museum. Used here for educational purposes only. Format The file format, physical medium, or dimensions of the resource Image Language A language of the resource English Type The nature or genre of the resource Terracotta, black oxidation patina Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Location: North India Time Period: 3rd-2nd Century B.C. Description An account of the resource I chose to add the “Shard with Three Goddesses” and the “Standing Female Deity” to my collection. While there isn’t really an in-depth description for the “Shard with Three Goddesses,” there is one for the “Standing Female Deity.” According to The Met Museum, the “Standing Female Deity” was a small depiction of a goddess that were “likely used for personal devotion” (Metropolitan Museum of Art). The statue appears to have flowers that surround her head, which is also similar with the “Shard with Three Goddesses.” Both statues were made with Terracotta, though the female deity one also had “black oxidation patina” (Metropolitan Museum of Art). The use of the Terracotta to produce both of these sculptures also shows the prevalence of this medium during the 3rd and 2nd Centuries B.C. In my opinion, both sculptures show how important to goddesses were to the Indian culture. The “Standing Female Deity” was mass produced for people to use in everyday worship and while we don’t know exactly what the shard (as part of a larger piece) was used for, it’s I think it’s likely that it was used to decorate homes and possible religious worship. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nick Truong Subject The topic of the resource Ancient Greek and Indian Art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bust of a Female Deity (Yakshi?) Subject The topic of the resource Mauryan Sculpture Description An account of the resource "Medium: Gray clay Dimensions: 3 1/2 x 2 1/2 in. (8.9 x 6.4 cm) Classification: Sculpture" as described from the Metropolitan Museum of Art. The historical arts that I will be doing a comparison between are the “Standing Female Deity” and the “Bust of a Female Deity (Yakshi?)” in the Mauryan period. Both of these historical arts are related to each other as they are both depictions of a female deity. However, there is a difference in that the “Bust of a Female Deity (Yakshi?)” is a sculpture of the upper body while the “Standing Female Deity” is a sculpture of the whole body excluding the legs. Even though some parts of the body are missing for comparison, an assumption can be made from these two sculptures. The “Standing Female Deity” and the “Bust of a Female Deity (Yakshi?)” demonstrate that the people during the Mauryan period had matching ideas of what female deities look like. Both of the sculptures show that the people in the Mauryan period thought that female deities wore rosettes in their hair as both of the sculptures display rosettes in them. Furthermore, the people in the Mauryan period believed that female deities wore a small amount of clothing as displayed in the fact that the sculptures of the female deities had little amounts of clothing around their breast. Not to mention, the people of the Mauryan period thought that female deities wore necklaces as indicated from both of the sculptures. My learning objective would be to learn how to analyze images and see how they explain certain parts of history such as culture, clothing style, or diets. Creator An entity primarily responsible for making the resource "India" Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/art/collection/search/38734" target="_blank" rel="noreferrer noopener">The Metropolitan Museum of Art</a> Publisher An entity responsible for making the resource available The Metropolitan Museum of Art Date A point or period of time associated with an event in the lifecycle of the resource "3rd–2nd century B.C." Contributor An entity responsible for making contributions to the resource Nick Truong Rights Information about rights held in and over the resource This resource is owned by the Metropolitan Museum of Art who owns the copyright to this resource. This resource is only being used for educational purposes. This image is in the public domain. Format The file format, physical medium, or dimensions of the resource "Medium: Gray clay Dimensions: 3 1/2 x 2 1/2 in. (8.9 x 6.4 cm)" as mentioned by the resource's website. File format: Jpeg Language A language of the resource En Type The nature or genre of the resource Image type Identifier An unambiguous reference to the resource within a given context https://www.metmuseum.org/art/collection/search/38734 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant "Period: Mauryan period Date: 3rd–2nd century B.C. Geographic Location Asia (70,968) India (3,721)" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nick Truong Subject The topic of the resource Ancient Greek and Indian Art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Standing Female Deity Subject The topic of the resource Mauryan sculpture Description An account of the resource "Such small goddesses were produced in vast quantities and likely were used for personal devotion. This figure’s outstretched arms and wide hips recall the goddesses in the ring stone exhibited nearby. Her face and the rosettes in her hair were produced with molds, while handmade coils were used to craft the earrings, necklace, and girdle." "Medium: Terracotta, black oxidation patina Dimensions: H. 6 1/4 in. (15.9 cm); W. 4 3/4 in. (12.1 cm); D. 1 7/8 in. (14.8 cm) Classification: Sculpture" as described from the Metropolitan Museum of Art. The historical arts that I will be doing a comparison between are the “Standing Female Deity” and the “Bust of a Female Deity (Yakshi?)” in the Mauryan period. Both of these historical arts are related to each other as they are both depictions of a female deity. However, there is a difference in that the “Bust of a Female Deity (Yakshi?)” is a sculpture of the upper body while the “Standing Female Deity” is a sculpture of the whole body excluding the legs. Even though some parts of the body are missing for comparison, an assumption can be made from these two sculptures. The “Standing Female Deity” and the “Bust of a Female Deity (Yakshi?)” demonstrate that the people during the Mauryan period had matching ideas of what female deities look like. Both of the sculptures show that the people in the Mauryan period thought that female deities wore rosettes in their hair as both of the sculptures display rosettes in them. Furthermore, the people in the Mauryan period believed that female deities wore a small amount of clothing as displayed in the fact that the sculptures of the female deities had little amounts of clothing around their breast. Not to mention, the people of the Mauryan period thought that female deities wore necklaces as indicated from both of the sculptures. My learning objective would be to learn how to analyze images and see how they explain certain parts of history such as culture, clothing style, or diets. Creator An entity primarily responsible for making the resource "North India" Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/art/collection/search/38431" target="_blank" rel="noreferrer noopener">The Metropolitan Museum of Art</a> Publisher An entity responsible for making the resource available The Metropolitan Museum of Art Date A point or period of time associated with an event in the lifecycle of the resource "3rd–2nd century B.C." Contributor An entity responsible for making contributions to the resource Nick Truong Rights Information about rights held in and over the resource This resource is owned by the Metropolitan Museum of Art who owns the copyright to this resource. This resource is only being used for educational purposes. This image is in the public domain. Format The file format, physical medium, or dimensions of the resource "Medium: Terracotta, black oxidation patina Dimensions: H. 6 1/4 in. (15.9 cm); W. 4 3/4 in. (12.1 cm); D. 1 7/8 in. (14.8 cm)" as mentioned by the resource's website. File format: Jpeg Language A language of the resource En Type The nature or genre of the resource Image type Identifier An unambiguous reference to the resource within a given context https://www.metmuseum.org/art/collection/search/38431 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant "Period: Mauryan period Date: 3rd–2nd century B.C. Geographic Location Asia (70,968) India (3,721)" https://jacknorton.org/1101-online-sp19/files/original/15428c9e9c720314084e86b5ebe58586.jpg f6e0863372e4675135985dee2a9dc251 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Marble Statue of Aphrodite, 2nd Century B.C." Subject The topic of the resource Hellenistic Sculpture Creator An entity primarily responsible for making the resource "Greek" Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/art/collection/search/257642">Marble statue of Aphrodite , 2nd century B.C.</a>The Metropolitan Museum of Art Publisher An entity responsible for making the resource available The Metropolitan Museum of Art. "This resource is only being used for educational purposes." Date A point or period of time associated with an event in the lifecycle of the resource "2nd century B.C" Contributor An entity responsible for making contributions to the resource Greek Rights Information about rights held in and over the resource "Public Domain" Language A language of the resource "Marble Stone" Type The nature or genre of the resource Person Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant "Department Greek and Roman Art (33,576) Object Type / Material Marble (2,214) Sculpture (25,909) Stone (7,669) Geographic Location Europe (185,178) Greece (22,187) Date / Era 1000 B.C.–A.D. 1 (33,071)" https://jacknorton.org/1101-online-sp19/files/original/241c3703ff43205ff3f2cb266bf481e5.jpg a03b20aa10962ad1470cf7100e934878 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Shard with Three Goddesses" Subject The topic of the resource Sculpture Source A related resource from which the described resource is derived The Metropolitan Museum of Art&nbsp;<a href="https://www.metmuseum.org/art/collection/search/38363">Shard with Three Goddesses , ca. 3rd century B.C.</a> Date A point or period of time associated with an event in the lifecycle of the resource "3rd century B.C." Rights Information about rights held in and over the resource "Public Domain" Format The file format, physical medium, or dimensions of the resource "Terracotta, H. 2 in. (5.1 cm); W. 2 5/8in. (6.7cm)" Language A language of the resource En Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Department Asian Art (35,734) Object Type / Material Clay (38,858) Sculpture (25,909) Terracotta (24,152) "Geographic Location Asia (70,968) India (3,721) Date / Era 1000 B.C.–A.D. 1 (33,071)" Description An account of the resource "The goddess of love stands in an exaggerated hipshot pose. She wears a thin chiton girded just below the breasts, and her himation (cloak), which must have been draped over the missing left arm, falls in thick folds between her legs. This figure is one of the many variants created in the Hellenistic period of a statue type known as the Tiepolo Aphrodite. A major over-life-sized version and numerous statuettes have been found in Athens; many examples also come from the island of Rhodes." Creator An entity primarily responsible for making the resource "India" Publisher An entity responsible for making the resource available The Metropolitan Museum of Art. "This resource is only being used for educational purposes." Type The nature or genre of the resource People Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Francesca Fobbe Person An individual. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sculptures of Women Description An account of the resource I choose two sculptures of women, the first being from 2nd century B.C. that were represented by the Greeks during the Hellenistic period, and the other from the Mauryan period in the 3rd Century B.C. After observing these sculptures, I was left with the impression that women were increasing in value or worth and that both societies were acknowledging the importance of females in their society. Although some may view these sculptures as objectification of the female body, I believe what was being portrayed was not just female sensuality, but also the power that sex and feminine beauty holds. The portrayal of the female bodies on both statues are strong and confident. Their pose is powerful and direct. The women do not appear feeble like paintings and sculptures from previous eras portrayed. I also feel that women making a greater appearance as the sole subject in artwork is indicative that women were valued in spite of not having equal rights to men during either of these time periods. Women had a specific role in society that artists during that time wanted to better understand and provide a platform to showcase. Perhaps this alludes to the progression of female autonomy and rights during these times. https://jacknorton.org/1101-online-sp19/files/original/78a44bafdd521c70a1b88c1898af93d7.jpg f379fcc698279389115792985fc91477 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Standing Female Deity Subject The topic of the resource Greek and Indian Art Description An account of the resource I chose this picture because it shows how the person doest care on how they look to others. Women would always dress up when ever they would go somewhere and make themselves look presentable no matter what. Women would show the "goddesses" to everyone one and be the number one and have people follow them and stay strong to their beliefs and what they think is the right thing. There would be a lot of devotions that the women would share with their kids, families, and even friends. Religion was a big thing that meant so much to everyone around there and they needed to have it in their life to keep them going from day to day and hour to hour. Creator An entity primarily responsible for making the resource Greek Source A related resource from which the described resource is derived https://www.metmuseum.org/art/collection/search/38431 Publisher An entity responsible for making the resource available The Metropolitan Museum of Art Date A point or period of time associated with an event in the lifecycle of the resource 100 B.C.-A.D. 1 (33,071) 3rd-2nd century B.C. Contributor An entity responsible for making contributions to the resource Samantha Weiss Rights Information about rights held in and over the resource Copyright, the Metropolitan Museum of Art. Used here for educational purpose only. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Standing Female Deity Contributor An entity responsible for making contributions to the resource Samantha Weiss Description An account of the resource I chose this picture because it shows how the person doest care on how they look to others. Women would always dress up when ever they would go somewhere and make themselves look presentable no matter what. Women would show the "goddesses" to everyone one and be the number one and have people follow them and stay strong to their beliefs and what they think is the right thing. There would be a lot of devotions that the women would share with their kids, families, and even friends. Religion was a big thing that meant so much to everyone around there and they needed to have it in their life to keep them going from day to day and hour to hour. https://jacknorton.org/1101-online-sp19/files/original/fde88aefabfec5f350574a0372a70a4b.jpg f379fcc698279389115792985fc91477 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yuliya Shveykina Subject The topic of the resource Mauryan Empire (ca. 323-185 B.C.) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Standing Female Deity Subject The topic of the resource Mauryan Period Description An account of the resource "Goddesses were produced in vast quantities; used for personal devotion." "Medium: Terracotta, black oxidation patina" "Dimensions: H. 6 1/4 in. (15.9 cm); W. 4 3/4 in. (12.1 cm); D. 1 7/8 in. (14.8 cm)" "Classifications: Sculpture" The two objects that I have found is the "Standing Female Deity" and "Avalokiteshvara, the Bodhisattva of Infinite Compassion." The reason I chose these sculptures is that I wanted to show that deities are both female and male. I wanted to illustrate that they both 'look the part.' What I mean by this is that I realized that the females head covering is quite similar to that of the males. Due to the fact that they are both deities, it definitely shows their power and domination over their lands. Also, I noticed that the way their posed shows a lot of stableness and strength. For example, the woman was standing upright and her posture looked confident and secure. The man, on the other hand, looked more relaxed and still tough on the bench. The material that is used to create these sculptures also plays a role. Bronze, handmade coils, and molds were used to create these spectacular intricate sculptures. I wish to have a better understanding of how to find credible resources that would only strengthen my descriptions and knowledge of the subject (art). Creator An entity primarily responsible for making the resource "North India" Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/art/collection/search/38431">The Metropolitan Museum of Art </a> Publisher An entity responsible for making the resource available The Metropolitan Museum of Art Date A point or period of time associated with an event in the lifecycle of the resource "3rd–2nd century B.C." Contributor An entity responsible for making contributions to the resource Yuliya Shveykina Rights Information about rights held in and over the resource Copyright. The Metropolitan Museum of Art. Used here for educational purposes only. Relation A related resource Mauryan Period Sculptures Format The file format, physical medium, or dimensions of the resource "Medium: Terracotta, black oxidation patina" "Dimensions: H. 6 1/4 in. (15.9 cm); W. 4 3/4 in. (12.1 cm); D. 1 7/8 in. (14.8 cm)" File format: Jpeg Language A language of the resource English Type The nature or genre of the resource Image Type Identifier An unambiguous reference to the resource within a given context https://www.metmuseum.org/art/collection/search/38431 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant "Period: Mauryan period" "Date: 3rd–2nd century B.C." "Geographic Location: Asia (70,958) India (3,721)" https://jacknorton.org/1101-online-sp19/files/original/ffa121c5d241e2bb3f94aa8b880dffbf.jpg b4fd3c2154f3f1641c8b97f0fb3327a5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yuliya Shveykina Subject The topic of the resource Mauryan Empire (ca. 323-185 B.C.) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Avalokiteshvara, the Bodhisattva of Infinite Compassion" Subject The topic of the resource Anuradhapura period Description An account of the resource "Avalokiteshvara, the Bodhisattva of Infinite Compassion" "Medium: Bronze" "Dimensions: H. 3 1/4 in. (8.3 cm); W. 2 1/8 in. (5.4 cm); D. 1 5/8 in. (4.1 cm)" "Classifications: Sculpture" The two objects that I have found is the "Standing Female Deity" and "Avalokiteshvara, the Bodhisattva of Infinite Compassion." The reason I chose these sculptures is that I wanted to show that deities are both female and male. I wanted to illustrate that they both 'look the part.' What I mean by this is that I realized that the females head covering is quite similar to that of the males. Due to the fact that they are both deities, it definitely shows their power and domination over their lands. Also, I noticed that the way their posed shows a lot of stableness and strength. For example, the woman was standing upright and her posture looked confident and secure. The man, on the other hand, looked more relaxed and still tough on the bench. The material that is used to create these sculptures also plays a role. Bronze, handmade coils, and molds were used to create these spectacular intricate sculptures. I wish to have a better understanding of how to find credible resources that would only strengthen my descriptions and knowledge of the subject (art). Creator An entity primarily responsible for making the resource "Sri Lanka" Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/toah/works-of-art/1987.142.65/">The Metropolitan Museum of Art </a> Publisher An entity responsible for making the resource available The Metropolitan Museum of Art Date A point or period of time associated with an event in the lifecycle of the resource "ca. late 7th–first half of the 8th century" Contributor An entity responsible for making contributions to the resource Yuliya Shveykina Rights Information about rights held in and over the resource Copyright. The Metropolitan Museum of Art. Used here for educational purposes only. Relation A related resource Bronze Deity Sculpture Format The file format, physical medium, or dimensions of the resource "Medium: Bronze" "Dimensions: H. 3 1/4 in. (8.3 cm); W. 2 1/8 in. (5.4 cm); D. 1 5/8 in. (4.1 cm)" File format: Jpeg Language A language of the resource English Type The nature or genre of the resource Image Type Identifier An unambiguous reference to the resource within a given context https://www.metmuseum.org/toah/works-of-art/1987.142.65/ Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant "Period: Anuradhapura period" "Date: ca. late 7th–first half of the 8th century" "Geographic Location: Asia (70,958) Sri Lanka (101)" https://jacknorton.org/1101-online-sp19/files/original/45b0965ab309a32a9c9b1432d57d09e3.jpg e73628ad81e50b2b4363cffc7c04a7b1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Brynn Leukuma Subject The topic of the resource Ancient Greek and Indian Art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gold earrings with disk and boat-shaped pendants Subject The topic of the resource Hellenistic Jewelry Description An account of the resource "Medium: Gold Dimensions: Overall (A): 2 5/8 in. (6.6 cm) other (Diameter of disc): 7/8 in. (2.2 cm) Diam.: 3/4 in. (1.9 cm) Classification: Gold and Silver A tiny figure of Nike (the personification of victory) driving two horses is set amid the floral design above the boat-shaped forms on these extraordinarily elaborate earrings." Both of the gold jewelry pieces tell us the hard and detailed work that the people did in that period as well as how humans were important aspects in art. First, these pieces of gold jewelry represent hard work because the pieces are very intricate and extremely detailed, which simply shows they put in days of tedious work. While looking at the “Gold earrings with disk and boat-shaped pendant”, one can see the intricate designs, flowers, and figures that represents Nike who is a figure that stands for victory and how he is driving two horses. There is also many seed like objects dangling from the top of the earring which contain small pearl like beads on them. Furthermore, in the “Gold earring with winged figure”, one can notice the twisted gold with the figure that also contains detailed flowers. The details that both these pieces of jewelry represent show the time and effort that it took to make them. Moving on, these elaborate pieces of jewelry both display humans in them which tells us the importance of human figures in that period of time. Since they worshiped Gods and figures, they incorporated those into their jewelry to remind them of those so that they were with them wherever they went and whenever they wore that specific type of jewelry . I would like to learn how people created these elaborate pieces of jewelry. Creator An entity primarily responsible for making the resource "East Greek" Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/art/collection/search/254595">The Metropolitan Museum of Art</a> Publisher An entity responsible for making the resource available The Metropolitan Museum of Art Date A point or period of time associated with an event in the lifecycle of the resource "ca. 300 B.C." Contributor An entity responsible for making contributions to the resource Brynn Leukuma Rights Information about rights held in and over the resource Copyright. The Metropolitan Museum of Art. Used here for educational purposes only. Relation A related resource Gold Jewlery Format The file format, physical medium, or dimensions of the resource "Medium: Gold Dimensions: Overall (A): 2 5/8 in. (6.6 cm) other (Diameter of disc): 7/8 in. (2.2 cm) Diam.: 3/4 in. (1.9 cm)" File Format: jpeg Language A language of the resource English Type The nature or genre of the resource Image Type Identifier An unambiguous reference to the resource within a given context https://www.metmuseum.org/art/collection/search/254595 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant "Period: Hellenistic Date: ca. 300 B.C. Geographic location: Europe (185,179) Greece (22,187)" https://jacknorton.org/1101-online-sp19/files/original/a26019ad1c2ba2d5e1cd6c1814d39265.jpg 073d854bbd07f90899447c58aa0dde0c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Brynn Leukuma Subject The topic of the resource Ancient Greek and Indian Art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gold earring with winged figure Subject The topic of the resource Hellenistic Jewelry Description An account of the resource "Medium: Gold Dimensions: Diam.: 13/16 in. (2 cm) Classification: Gold and Silver Circlet of twisted gold wire, which tapers from the human figure's head at the front end to a hooked point" Both of the gold jewelry pieces tell us the hard and detailed work that the people did in that period as well as how humans were important aspects in art. First, these pieces of gold jewelry represent hard work because the pieces are very intricate and extremely detailed, which simply shows they put in days of tedious work. While looking at the “Gold earrings with disk and boat-shaped pendant”, one can see the intricate designs, flowers, and figure that represents Nike who is a figure that stands for victory and how he is driving two horses. There is also many seed like objects dangling from the top of the earring which contain small pearl like beads on them. Furthermore, in the “Gold earring with winged figure”, one can notice the twisted gold with the figure that also contains detailed flowers. Moving on, these elaborate pieces of jewelry both display humans in them which tells us the importance of human figures in that period of time. Since they worshiped Gods and figures, they incorporated those into their jewelry to remind them of those so that they were with them wherever they went. I would like to learn how people created these elaborate pieces of jewelry. Creator An entity primarily responsible for making the resource "Greek" Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/art/collection/search/242941">The Metropolitan Museum of Art</a> Publisher An entity responsible for making the resource available The Metropolitan Museum of Art Date A point or period of time associated with an event in the lifecycle of the resource 3rd-2nd century B.C. Contributor An entity responsible for making contributions to the resource Brynn Leukuma Rights Information about rights held in and over the resource Copyright. The Metropolitan Museum of Art. Used here for educational purposes only Relation A related resource Gold Jewlery Format The file format, physical medium, or dimensions of the resource "Medium: Gold Dimensions: Diam.: 13/16 in. (2 cm)" File Format: jpeg Language A language of the resource English Type The nature or genre of the resource Image Type Identifier An unambiguous reference to the resource within a given context https://www.metmuseum.org/art/collection/search/242941 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant "Period: Hellenistic Date: 3rd-2nd century B.C. Geographic location: Europe (185,179) Greece (22,187) https://jacknorton.org/1101-online-sp19/files/original/4d77354be17114bfe9747b28774b1eae.jpg 79806920cf1f553da8715615480a3caf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Melissa Yahr Subject The topic of the resource Ancient Greek and Indian Art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dish with a Bee Pollinating a Lotus Description An account of the resource I have chosen to compare two Mauryan art items. They are quite similar even though they depict different things. The "Dish with a Bee Pollinating a Lotus" is from 2nd Century B.C. and depicts exactly what the title says, a bee pollinating a flower, while the "Sphere with Scenes of Rites at the Shrine of a Yaksha (Male Nature Spirit)" is from 3rd Century B.C. is depicting a nature spirit. Many people have never heard of nature spirits, but they were very important to the Mauryan culture. I have chosen these two objects to compare, because they are both depicting nature. The Male Nature Spirit is tasked with caring for nature and bees can be found in nature doing their jobs. They pollinate flowers for a living and the Male Nature Spirit makes sure that nothing bad happens during those daily tasks. Obviously that doesn't mean everyone is all of a sudden going to care about Mauryan Art, but we should remember that even back in the early centuries they cared about their environment. They took care of their world and they believed in spirits who cared for nature. Creator An entity primarily responsible for making the resource "India" Format The file format, physical medium, or dimensions of the resource "Diam 13 1/8 in. (33.3cm)" Type The nature or genre of the resource "Ceramic"