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                  <text>Garrett Jacobson</text>
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                  <text>Archaic Greek/African Art</text>
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                <text>Justinian I Mosaic</text>
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                <text>Byzantine Empire</text>
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                <text>6th Century mosaic in Basilica of San Vitale</text>
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                <text>A De Gregorio - DeA Picture Library/age fotostock</text>
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                <text>&lt;a href="https://www.britannica.com/place/Byzantine-Empire" title="Byzantine Empire HISTORICAL EMPIRE, EURASIA"&gt;https://www.britannica.com/place/Byzantine-Empire&lt;/a&gt;</text>
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                <text>6th century CE</text>
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                <text>© A De Gregorio—DeA Picture Library/age fotostock</text>
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                <text>Mosaic</text>
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                <text>Iron Pillar of Delhi</text>
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                <text>Gupta Period Art</text>
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                <text>The Iron Pillar in Qutub Complex, Delhi is a stellar example of advanced metallurgy technology in Gupta Period (circa 320 - 550 CE). The 7 m (23 ft) high pillar was made corrosion resistant. It bears Sanskrit - Brahmi inscriptions eulogising the achievements of King Chandra which is believed to be about King Chandragupta II (circa 380 – 414 CE)</text>
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                <text>Ancient History Encyclopedia</text>
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                <text>&lt;a href="https://www.ancient.eu/image/4156/iron-pillar-of-delhi/"&gt;Iron Pillars of Delhi&lt;/a&gt;&lt;br /&gt; Jarvis, Dennis. "Iron Pillar of Delhi." Ancient History Encyclopedia. Last modified October 27, 2015. https://www.ancient.eu/image/4156/</text>
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                <text>Ancient History Encyclopedia</text>
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                <text>Gupta Empire</text>
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                <text>Brynn Leukuma</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Cave 19, Ajanta, Deccan</text>
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                <text>Gupta Period Art</text>
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                <text>"The chaitya facade of Cave 19, Ajanta, north-west Deccan, India. The columned porch, cushion column capitals, and ornate decorative sculpture are typical of Gupta architecture (4-6th century CE). The relief panels show scenes from the life of Buddha"</text>
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                <text>Ancient History Encyclopedia</text>
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              <elementText elementTextId="956">
                <text>&lt;a href="https://www.ancient.eu/image/3879/cave-19-ajanta-deccan/"&gt;Cave 19, Ajanta, Deccan&lt;/a&gt; &lt;br /&gt;Mukhopadhyay, Sankarshan. "Cave 19, Ajanta, Deccan." Ancient History Encyclopedia. Last modified May 20, 2015. https://www.ancient.eu/image/3879/.</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="957">
                <text>Ancient History Encyclopedia</text>
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            <name>Date</name>
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                <text>Gupta Period</text>
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                <text>Brynn Leukuma</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="960">
                <text>Copy Right. Used for educational purposes only.</text>
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                <text>Chariot Warriors in Ancient India</text>
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                <text>Gupta Period Art</text>
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                <text>"This sculpture made during the Gupta period (3rd century CE to 6th century CE) shows a scene from the Mahabharata. Here, two elite warriors riding their war chariots are seen engaging each other in an archery duel. The body of the chariot on the left, being damaged, cannot be seen but its wheel and horses are visible. The chariot on the right is mostly intact. &#13;
&#13;
The use of chariots in battle had declined by this period and it is extremely unlikely that the Gupta army used them. This is thus a sculptural representation of how the Gupta artists imagined chariot warfare to have been in the preceding periods of history, particularly in the Epic period where they were much valued. (National Museum, New Delhi, India)" </text>
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                <text>Ancient History Encyclopedia</text>
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                <text>&lt;a href="https://www.ancient.eu/image/9286/chariot-warriors-in-ancient-india/"&gt;Chariot Warriors in Ancient India&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Nomu420, . "&lt;/span&gt;&lt;a href="https://www.ancient.eu/image/9286/" class="no_external"&gt;Chariot Warriors in Ancient India&lt;/a&gt;&lt;span&gt;." &lt;/span&gt;&lt;i&gt;Ancient History Encyclopedia&lt;/i&gt;&lt;span&gt;. Last modified October 01, 2018. https://www.ancient.eu/image/9286/.&lt;/span&gt;</text>
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              <elementText elementTextId="985">
                <text>Ancient History Encyclopedia</text>
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            <name>Date</name>
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                <text>Gupta Period</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="987">
                <text>Brynn Leukuma</text>
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      <name>Website</name>
      <description>A resource comprising of a web page or web pages and all related assets ( such as images, sound and video files, etc. ).</description>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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              <text>https://blog.nationalgeographic.org/2013/05/16/did-st-brendan-reach-north-america-500-years-before-the-vikings/</text>
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        <name>Dublin Core</name>
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            <description>A name given to the resource</description>
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                <text>David O'Keefe-Vikings Might Not Have Been The First Europeans To Encounter America</text>
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          <element elementId="49">
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                <text>An Irish monk named St. Brendan might have been the first European to encounter America. The only problem is: there is no hard evidence, only sagas that are a thousand years old.</text>
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                <text>Andrew Howley</text>
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              <elementText elementTextId="1222">
                <text>Howley, Andrew. “Did St. Brendan Reach North America 500 Years Before the Vikings?” National Geographic Society Newsroom, 14 Dec. 2017, blog.nationalgeographic.org/2013/05/16/did-st-brendan-reach-north-america-500-years-before-the-vikings/.</text>
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              <elementText elementTextId="1223">
                <text>National Geographic Blog</text>
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                <text>12-14-2017</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1225">
                <text>For Educational Purposes Only</text>
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                  <text>Banh Tu</text>
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                  <text>Siddhartha Gautama </text>
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                  <text>Depiction of Buddha </text>
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                <elementText elementTextId="1466">
                  <text>&lt;a href="http://www.artandantiquesmag.com/2012/05/tibetan-art-museum-of-fine-arts-boston/201205_shambala_01/"&gt;Art &amp;amp; Antiques&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.artandantiquesmag.com/2012/05/tibetan-art-museum-of-fine-arts-boston/201205_shambala_02/"&gt;Art &amp;amp; Antiques&lt;/a&gt;&lt;br /&gt;&lt;a href="http://ichef.bbci.co.uk/wwfeatures/wm/live/1600_900/images/live/p0/2w/4c/p02w4cgz.jpg"&gt;BBC&lt;/a&gt; : Lumbini Nepal </text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1467">
                  <text>Copy right Art &amp; Antiques&#13;
Education purpose use only</text>
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                <text>Buddha </text>
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                <text>Depiction of Buddha </text>
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                <text>&lt;a href="http://www.artandantiquesmag.com/2012/05/tibetan-art-museum-of-fine-arts-boston/201205_shambala_02/"&gt;Art &amp;amp; Antiques&lt;/a&gt;</text>
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                <text>Copy right Art &amp; Antiques&#13;
Education use only</text>
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&#13;
Medium :Terracotta &#13;
Dimensions: h. 9 1/2 in. (24.1 cm) &#13;
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&#13;
Although there could be a variety of reasons as to why this jug does not have the decorative figure (such as it being dropped or some other form of accident), it is possible that this jug never was created with an ornate figurine. If this reasoning is true, it might actually indicate that the owner of this jug may come from a lower level of wealth because they did not have the resources to buy a jug with an ornate figurine. On the other side, it may also be that the owner saw no use in the figurine and simply pursued a jug for its functionality versus its aesthetic. Overall, what this artifact does indicate is that because it was common for citizens to have ornate figures on their day-to-day objects, it is strange that such a figure does not appear on this object.</text>
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                <text>"Medium: Terracotta&#13;
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I have chosen a jug with an African carrying two spears, and a pendant with the earliest image of an African. These two items are related because they both show an African person. This is important because it shows how the creators (the Greeks), perceived Africans (who were called Ethiopians back then). The Greeks had very high opinions regarding the Ethiopians and this can be seen in their art work. The amount of detail put into the face on the pendant demonstrates that the artist wanted to include every little thing and portray his/her feelings about Ethiopians; the features of the face are all soft and not at all harsh, and the face is smiling. This could demonstrate that the artist saw Ethiopians as happy and/or kind people. The figure on the jug shows that the creator also thought highly of the Ethiopians because the figure is carrying two spears, which could symbolize the power and strength of the African people. Whether or not they had such power and/or strength, the Greeks still perceived them as having both. From this lesson, I would like to learn if the Ethiopians thought as highly of the Greeks as they did of them.</text>
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