12 10 121 https://jacknorton.org/1101-online-sp19/files/original/15428c9e9c720314084e86b5ebe58586.jpg f6e0863372e4675135985dee2a9dc251 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Marble Statue of Aphrodite, 2nd Century B.C." Subject The topic of the resource Hellenistic Sculpture Creator An entity primarily responsible for making the resource "Greek" Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/art/collection/search/257642">Marble statue of Aphrodite , 2nd century B.C.</a>The Metropolitan Museum of Art Publisher An entity responsible for making the resource available The Metropolitan Museum of Art. "This resource is only being used for educational purposes." Date A point or period of time associated with an event in the lifecycle of the resource "2nd century B.C" Contributor An entity responsible for making contributions to the resource Greek Rights Information about rights held in and over the resource "Public Domain" Language A language of the resource "Marble Stone" Type The nature or genre of the resource Person Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant "Department Greek and Roman Art (33,576) Object Type / Material Marble (2,214) Sculpture (25,909) Stone (7,669) Geographic Location Europe (185,178) Greece (22,187) Date / Era 1000 B.C.–A.D. 1 (33,071)" https://jacknorton.org/1101-online-sp19/files/original/241c3703ff43205ff3f2cb266bf481e5.jpg a03b20aa10962ad1470cf7100e934878 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Shard with Three Goddesses" Subject The topic of the resource Sculpture Source A related resource from which the described resource is derived The Metropolitan Museum of Art&nbsp;<a href="https://www.metmuseum.org/art/collection/search/38363">Shard with Three Goddesses , ca. 3rd century B.C.</a> Date A point or period of time associated with an event in the lifecycle of the resource "3rd century B.C." Rights Information about rights held in and over the resource "Public Domain" Format The file format, physical medium, or dimensions of the resource "Terracotta, H. 2 in. (5.1 cm); W. 2 5/8in. (6.7cm)" Language A language of the resource En Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Department Asian Art (35,734) Object Type / Material Clay (38,858) Sculpture (25,909) Terracotta (24,152) "Geographic Location Asia (70,968) India (3,721) Date / Era 1000 B.C.–A.D. 1 (33,071)" Description An account of the resource "The goddess of love stands in an exaggerated hipshot pose. She wears a thin chiton girded just below the breasts, and her himation (cloak), which must have been draped over the missing left arm, falls in thick folds between her legs. This figure is one of the many variants created in the Hellenistic period of a statue type known as the Tiepolo Aphrodite. A major over-life-sized version and numerous statuettes have been found in Athens; many examples also come from the island of Rhodes." Creator An entity primarily responsible for making the resource "India" Publisher An entity responsible for making the resource available The Metropolitan Museum of Art. "This resource is only being used for educational purposes." Type The nature or genre of the resource People Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Francesca Fobbe Person An individual. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sculptures of Women Description An account of the resource I choose two sculptures of women, the first being from 2nd century B.C. that were represented by the Greeks during the Hellenistic period, and the other from the Mauryan period in the 3rd Century B.C. After observing these sculptures, I was left with the impression that women were increasing in value or worth and that both societies were acknowledging the importance of females in their society. Although some may view these sculptures as objectification of the female body, I believe what was being portrayed was not just female sensuality, but also the power that sex and feminine beauty holds. The portrayal of the female bodies on both statues are strong and confident. Their pose is powerful and direct. The women do not appear feeble like paintings and sculptures from previous eras portrayed. I also feel that women making a greater appearance as the sole subject in artwork is indicative that women were valued in spite of not having equal rights to men during either of these time periods. Women had a specific role in society that artists during that time wanted to better understand and provide a platform to showcase. Perhaps this alludes to the progression of female autonomy and rights during these times. https://jacknorton.org/1101-online-sp19/files/original/78a44bafdd521c70a1b88c1898af93d7.jpg f379fcc698279389115792985fc91477 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Standing Female Deity Subject The topic of the resource Greek and Indian Art Description An account of the resource I chose this picture because it shows how the person doest care on how they look to others. Women would always dress up when ever they would go somewhere and make themselves look presentable no matter what. Women would show the "goddesses" to everyone one and be the number one and have people follow them and stay strong to their beliefs and what they think is the right thing. There would be a lot of devotions that the women would share with their kids, families, and even friends. Religion was a big thing that meant so much to everyone around there and they needed to have it in their life to keep them going from day to day and hour to hour. Creator An entity primarily responsible for making the resource Greek Source A related resource from which the described resource is derived https://www.metmuseum.org/art/collection/search/38431 Publisher An entity responsible for making the resource available The Metropolitan Museum of Art Date A point or period of time associated with an event in the lifecycle of the resource 100 B.C.-A.D. 1 (33,071) 3rd-2nd century B.C. Contributor An entity responsible for making contributions to the resource Samantha Weiss Rights Information about rights held in and over the resource Copyright, the Metropolitan Museum of Art. Used here for educational purpose only. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Standing Female Deity Contributor An entity responsible for making contributions to the resource Samantha Weiss Description An account of the resource I chose this picture because it shows how the person doest care on how they look to others. Women would always dress up when ever they would go somewhere and make themselves look presentable no matter what. Women would show the "goddesses" to everyone one and be the number one and have people follow them and stay strong to their beliefs and what they think is the right thing. There would be a lot of devotions that the women would share with their kids, families, and even friends. Religion was a big thing that meant so much to everyone around there and they needed to have it in their life to keep them going from day to day and hour to hour. https://jacknorton.org/1101-online-sp19/files/original/2cf4299128de53c484fb9db69d55a31a.jpg fc7bc8e49c1bbef25702fb258e515765 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Molly Rapp Subject The topic of the resource Ancient Hellenistic Period Art Description An account of the resource Although Mauryan Period art features women, Hellenistic art features women in a more everyday sense though their depiction of clothing, physical appearance, and position of body in their sculptures. Both pieces I chose to analyze were sculptures made of Terracotta and featured two standing women. One being a seemingly younger girl and one being a woman. By comparing and contrasting the physical characteristics of these two females, I hope to draw conclusions about everyday life of a woman in the Hellenistic Period. Both females are wrapped in “himation (cloaks)” and they are both wrapped tightly around their body. This is believed to be used for a fashion statement and it resembles everyday clothing of women and girls. Unlike most Mauryan pieces, which feature deities, you see both women standing naturally in these sculptures. The young girl is a little hunched in a child-like way and the light smile hints at a child nature. According to Metropolitan Museum of Art, children were no longer represented as miniature adults but rather were given childlike proportions and features in the Hellenistic time period. This shows us a more “real” sense of humanity during that time period. Even in the sculpture of the woman, we see drapes of cloth as clothing rather than them being naked. This shows a more everyday approach to artwork. The Metropolitan Museum also states that some Hellenistic art pieces featured “women...are seated or playing games”. This certainly speaks towards the portrayal of everyday life. I wish to further analyze the “why” to certain clothing pieces, accessories, and the functions of both of those used in tandem. I also wish to relearn the three major parts of a thesis statement. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Terracotta Statuette of a Standing Woman Subject The topic of the resource Hellenistic Sculptural Art Description An account of the resource "Medium: Terracotta Dimensions: H. 6 7/16 in. (16.4 cm) Classification: Terracottas" Although Mauryan Period art features women, Hellenistic art features women in a more everyday sense though their depiction of clothing, physical appearance, and position of body in their sculptures. Both pieces I chose to analyze were sculptures made of Terracotta and featured two standing women. One being a seemingly younger girl and one being a woman. By comparing and contrasting the physical characteristics of these two females, I hope to draw conclusions about everyday life of a woman in the Hellenistic Period. Both females are wrapped in “himation (cloaks)” and they are both wrapped tightly around their body. This is believed to be used for a fashion statement and it resembles everyday clothing of women and girls. Unlike most Mauryan pieces, which feature deities, you see both women standing naturally in these sculptures. The young girl is a little hunched in a child-like way and the light smile hints at a child nature. According to Metropolitan Museum of Art, children were no longer represented as miniature adults but rather were given childlike proportions and features in the Hellenistic time period. This shows us a more “real” sense of humanity during that time period. Even in the sculpture of the woman, we see drapes of cloth as clothing rather than them being naked. This shows a more everyday approach to artwork. The Metropolitan Museum also states that some Hellenistic art pieces featured “women...are seated or playing games”. This certainly speaks towards the portrayal of everyday life. I wish to further analyze the “why” to certain clothing pieces, accessories, and the functions of both of those used in tandem. I also wish to relearn the three major parts of a thesis statement. Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/toah/works-of-art/09.221.28/" target="_blank" rel="noreferrer noopener">The Metropolitan Museum of Art</a> Date A point or period of time associated with an event in the lifecycle of the resource "Date: late 4th–early 3rd century B.C." Contributor An entity responsible for making contributions to the resource Molly Rapp Rights Information about rights held in and over the resource Copy Right, The Metropolitan Museum of Art. Used for Educational Purposes Only. Format The file format, physical medium, or dimensions of the resource Terracotta Type The nature or genre of the resource Sculpture https://jacknorton.org/1101-online-sp19/files/original/9103f843ac9fde8087e32a64f0ae43a1.jpg 39770ca845de7d0593feb43ff5c928e2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Molly Rapp Subject The topic of the resource Ancient Hellenistic Period Art Description An account of the resource Although Mauryan Period art features women, Hellenistic art features women in a more everyday sense though their depiction of clothing, physical appearance, and position of body in their sculptures. Both pieces I chose to analyze were sculptures made of Terracotta and featured two standing women. One being a seemingly younger girl and one being a woman. By comparing and contrasting the physical characteristics of these two females, I hope to draw conclusions about everyday life of a woman in the Hellenistic Period. Both females are wrapped in “himation (cloaks)” and they are both wrapped tightly around their body. This is believed to be used for a fashion statement and it resembles everyday clothing of women and girls. Unlike most Mauryan pieces, which feature deities, you see both women standing naturally in these sculptures. The young girl is a little hunched in a child-like way and the light smile hints at a child nature. According to Metropolitan Museum of Art, children were no longer represented as miniature adults but rather were given childlike proportions and features in the Hellenistic time period. This shows us a more “real” sense of humanity during that time period. Even in the sculpture of the woman, we see drapes of cloth as clothing rather than them being naked. This shows a more everyday approach to artwork. The Metropolitan Museum also states that some Hellenistic art pieces featured “women...are seated or playing games”. This certainly speaks towards the portrayal of everyday life. I wish to further analyze the “why” to certain clothing pieces, accessories, and the functions of both of those used in tandem. I also wish to relearn the three major parts of a thesis statement. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Terracotta Statuette of a Standing Girl Subject The topic of the resource Hellenistic Sculptural Art Description An account of the resource Medium: Terracotta Dimensions: Overall: 4 1/2 x 1 3/4 x 1 1/16 in. (11.4 x 4.4 x 2.6 cm) Classification: Terracottas Although Mauryan Period art features women, Hellenistic art features women in a more everyday sense though their depiction of clothing, physical appearance, and position of body in their sculptures. Both pieces I chose to analyze were sculptures made of Terracotta and featured two standing women. One being a seemingly younger girl and one being a woman. By comparing and contrasting the physical characteristics of these two females, I hope to draw conclusions about everyday life of a woman in the Hellenistic Period. Both females are wrapped in “himation (cloaks)” and they are both wrapped tightly around their body. This is believed to be used for a fashion statement and it resembles everyday clothing of women and girls. Unlike most Mauryan pieces, which feature deities, you see both women standing naturally in these sculptures. The young girl is a little hunched in a child-like way and the light smile hints at a child nature. According to Metropolitan Museum of Art, children were no longer represented as miniature adults but rather were given childlike proportions and features in the Hellenistic time period. This shows us a more “real” sense of humanity during that time period. Even in the sculpture of the woman, we see drapes of cloth as clothing rather than them being naked. This shows a more everyday approach to artwork. The Metropolitan Museum also states that some Hellenistic art pieces featured “women...are seated or playing games”. This certainly speaks towards the portrayal of everyday life. I wish to further analyze the “why” to certain clothing pieces, accessories, and the functions of both of those used in tandem. I also wish to relearn the three major parts of a thesis statement. Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/toah/works-of-art/07.286.31/" target="_blank" rel="noreferrer noopener">The Metropolitan Museum of Art</a> Date A point or period of time associated with an event in the lifecycle of the resource ca. 300 B.C. Contributor An entity responsible for making contributions to the resource Molly Rapp Rights Information about rights held in and over the resource Copy Right, The Metropolitan Museum of Art. Used for Educational Purposes Only. Format The file format, physical medium, or dimensions of the resource Terracotta Type The nature or genre of the resource Sculpture https://jacknorton.org/1101-online-sp19/files/original/ba42fb12fed25f3baba5340f03c09bae.jpg 4067191c9f72c7666c6c769e439b0f87 Hyperlink A link, or reference, to another resource on the Internet. URL http://amica.davidrumsey.com/luna/servlet/detail/AMICO~1~1~33624~89290 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource David O'Keefe Athenian Tetradrachm: Female Head (obverse) Subject The topic of the resource An Athenian Statue of a female head Date A point or period of time associated with an event in the lifecycle of the resource 4000 BC Contributor An entity responsible for making contributions to the resource The Cleveland Museum of Art Rights Information about rights held in and over the resource Open Access Type The nature or genre of the resource Image https://jacknorton.org/1101-online-sp19/files/original/813ff9082926056057d9ce1c409706a8.jpg 36aaa5c7a2247d9492ea8564831c5e42 https://jacknorton.org/1101-online-sp19/files/original/8e96b0b3b756a728459493f05d5f8ffc.jpg 41e1cfe7191a34c786c596c174632baf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mikayla Schlosser https://jacknorton.org/1101-online-sp19/files/original/1659d70ab5ad99a698c7a0201ef0b563.jpg 41e1cfe7191a34c786c596c174632baf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource *Mikayla Schlosser Subject The topic of the resource Hellenistic Sculptural Art Description An account of the resource I have chosen to analyze two sculptures of women during the Hellenistic period. The first sculpture is made from terracotta and the women is dressed in a himation (cloak) and the other sculpture is a woman dressed in a himation made out of bronze. Both of these sculptures can help show historians what the everyday life was during the Hellenistic period because if two sculptures share a feature there is a good chance that was common for women living in that society. By analyzing these two sculptures I hope to draw my own conclusions about the average day of a women during the Hellenistic period. Both of these women were draped in himation which seemed to be what most of the women in this time period wore. These cloaks that were worn seemed to cover most of the women possibly meaning that they use modesty in their fashion. Although only one sculpture had a women dancing in it I'm predicting that dancing was a profession that women were allowed to participate in. Both of these sculptures were carved with lots a detail possibly meaning that their beauty was desired by society. For example, the women in the terracotta sculpture had her hair neatly tucked up which could mean that she is putting an effort into empress society with her looks Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bronze statuette of a veiled and masked dancer Subject The topic of the resource Hellenistic Sculptural Art Description An account of the resource ": Bronze Dimensions: 8 1/16 × 3 1/2 × 4 1/2 in., 65.6oz. (20.5 × 8.9 × 11.4 cm, 4.1 lb.) Classification: Bronzes" I have chosen to analyze two sculptures of women during the Hellenistic period. The first sculpture is made from terracotta and the women is dressed in a himation (cloak) and the other sculpture is a woman dressed in a himation made out of bronze. Both of these sculptures can help show historians what the everyday life was during the hellenistic period because if two sculptures share a feature there is a good chance that was common for women living in that society. By analyzing these two sculptures I hope to draw my own conclusions about the average day of a women during the Hellenistic period. Both of these women were draped in himation which seemed to be what most of the women in this time period wore. These cloaks that were worn seemed to cover most of the women possibly meaning that they use modesty in their fashion. Although only one sculpture had a women dancing in it i'm predicting that dancing was a profession that women were allowed to participate in. Both of these sculptures were carved with lots a detail possibly meaning that their beauty was desired by society. For example the women in the terracotta sculpture had her hair neatly tucked up which could mean that she is putting effort in to empress society with her looks Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/toah/works-of-art/1972.118.95/">The Metropolitan Museum of Art</a> Date A point or period of time associated with an event in the lifecycle of the resource "3rd–2nd century B.C." Contributor An entity responsible for making contributions to the resource Mikayla Schlosser Rights Information about rights held in and over the resource Copy Right, The Metropolitan Museum of Art. Used for Educational Purposes Only. Format The file format, physical medium, or dimensions of the resource Bronze Type The nature or genre of the resource Sculpture https://jacknorton.org/1101-online-sp19/files/original/d97b081e37e19cff24cd7ada6b54fc03.jpg 0c67fc8fcd0ebdff53caebd92aca00c4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sarah Pesola Subject The topic of the resource Mauryan and Hellenistic Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Statue Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amenhotep III Subject The topic of the resource Ancient Egypt Source A related resource from which the described resource is derived <a href="http://go.galegroup.com.ndcproxy.mnpals.net/ps/i.do?p=GVRL&amp;u=mnanorman&amp;id=GALE%7CCX3728000017&amp;v=2.1&amp;it=r&amp;sid=GVRL&amp;asid=5ff2814e.com">The New Kingdom Begins in Egypt</a> Publisher An entity responsible for making the resource available Gale Virtual Reference Library Date A point or period of time associated with an event in the lifecycle of the resource 1557 BCE-1085 BCE Format The file format, physical medium, or dimensions of the resource Picture Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Ancient Egypt The New Kingdom 1557 BCE-1085 BCE https://jacknorton.org/1101-online-sp19/files/original/d4bd3c3cdfbca63531a290cc274f6b8c.jpeg 7ed28faec1c9bcc6c2d56bdd70e009a1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Map of the Silk Road Subject The topic of the resource Black Death Origin Description An account of the resource This map helps give us an idea as to where the plague may have started as it is believed to have originated on the Silk Road. Source A related resource from which the described resource is derived Darian, Steven. "Silk Road." Encyclopedia of Modern Asia, edited by Karen Christensen and David Levinson, vol. 5, Charles Scribner's Sons, 2002, pp. 207-209. Gale Virtual Reference Library, http://link.galegroup.com/apps/doc/CX3403702687/GVRL?u=mnanorman&sid=GVRL&xid=e0a4d8d2. Accessed 15 May 2019. Publisher An entity responsible for making the resource available Gale Virtual Reference Library Rights Information about rights held in and over the resource This is used for educational purposes only Type The nature or genre of the resource Map https://jacknorton.org/1101-online-sp19/files/original/43e595522fb82be4c4aca27404a61aed.jpg c07e4c293b91f21fa8f2c7076837eb19 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chronicle of the Black Death Subject The topic of the resource Black Death Description An account of the resource This is a manuscript of an individual who lived through the Black Death and wrote on the many hardships. Source A related resource from which the described resource is derived “Chronicle of the Black Death.” The British Library - The British Library, www.bl.uk/learning/timeline/item103973.html. Primary Account Publisher An entity responsible for making the resource available The British Library Date A point or period of time associated with an event in the lifecycle of the resource 1348 Contributor An entity responsible for making contributions to the resource Cotton Faustina B V Format The file format, physical medium, or dimensions of the resource Paper