10
10
121
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https://jacknorton.org/1101-online-sp19/files/original/5d6e6494b8f477a669c9b5adf77bd447.jpg
0221cbfb8857461bb95788b3d06e3a01
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joseph Lapadula - Aqueduct Photo
Subject
The topic of the resource
Roman Aqueduct
Description
An account of the resource
Roman Aqueduct of Pont du Gard
Creator
An entity primarily responsible for making the resource
National Geographic Society
Source
A related resource from which the described resource is derived
https://www.nationalgeographic.org/encyclopedia/roman-aqueducts/
Publisher
An entity responsible for making the resource available
National Geographic Society
Date
A point or period of time associated with an event in the lifecycle of the resource
1st century C.E.
Contributor
An entity responsible for making contributions to the resource
Joseph Lapadula
Format
The file format, physical medium, or dimensions of the resource
Photo
Type
The nature or genre of the resource
Still Image
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https://jacknorton.org/1101-online-sp19/files/original/91302556269869265809c931401c2294.jpg
f379fcc698279389115792985fc91477
Dublin Core
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Title
A name given to the resource
Sara Ferguson
Subject
The topic of the resource
Mauryan Art Collection
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Standing Female Deity
Subject
The topic of the resource
Sculpture
Description
An account of the resource
From the Metropolitan Museum of Art website,
"Date: 3rd-2nd century B.C.
Medium: Terracotta, black oxidation patina
Dimensions :H. 6 1/4 in. (15.9 cm); W. 4 3/4 in. (12.1 cm); D. 1 7/8 in. (14.8 cm)" Sculpture of a standing Deity with a large head piece and necklace.
These sculptures present that early India was very religious and seemed to worship the same Female Deity, possibly Yakashi, throughout. They also show that different materials were used depending on the location and origin of the sculpture. The Standing Female Deity (from Northern India) was created using terracotta and black oxidation patina, whereas the Bust of a Female Deity (Yakashi?) (From India) was constructed with grey clay. I can conclude that the material that was used either showed significance or was the only material available at that time (some families only had access to certain material). With that being said, the wide range of materials proves that a wide range of people were depicting possibly the same entity, no matter the social class or experience of the artist themselves. The sculptures also seem to be around the same size, ranging from 16-9 cm. This shows that they were accustomed to only making smaller sculptures, or they didn’t have enough material to make larger sculptures. Or, another possibility is that large sculptures may not have survived.
Creator
An entity primarily responsible for making the resource
North Indian
Source
A related resource from which the described resource is derived
Anonymous Gift to The Met 1978
Publisher
An entity responsible for making the resource available
Metropolitan Museum of Art
Rights
Information about rights held in and over the resource
The Metropolitan Museum of Art. Used for educational purposes only.
Type
The nature or genre of the resource
Sculpture
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Dublin Core
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Title
A name given to the resource
Digital Augustan Rome
Subject
The topic of the resource
Ancient Rome
Creator
An entity primarily responsible for making the resource
Octothorp Studios
Source
A related resource from which the described resource is derived
<a href="http://digitalaugustanrome.org/" target="_blank" rel="noreferrer noopener">Digital Augustan Rome</a>
Contributor
An entity responsible for making contributions to the resource
Anna Lucas
Rights
Information about rights held in and over the resource
Copyright. Octothorp Studios
Used for educational purposes only
Type
The nature or genre of the resource
Digital Map
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Dublin Core
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Title
A name given to the resource
Nick Truong
Subject
The topic of the resource
Ancient Greek and Indian Art
Dublin Core
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Title
A name given to the resource
The Bright Side of the Black Death
Subject
The topic of the resource
The Black Death
Description
An account of the resource
This resource explains the benefits of the Black Death in medieval Europe by doing bone analysis and looking at the population of medieval Europe after the Black Death.
Creator
An entity primarily responsible for making the resource
Pat Lee Shipman
Source
A related resource from which the described resource is derived
<a href="https://www.americanscientist.org/article/the-bright-side-of-the-black-death" target="_blank" rel="noreferrer noopener">American Scientist</a>
Publisher
An entity responsible for making the resource available
American Scientist
Date
A point or period of time associated with an event in the lifecycle of the resource
1346-1390
Contributor
An entity responsible for making contributions to the resource
Nicholas Truong
Rights
Information about rights held in and over the resource
This resource is owned by the American Scientist who owns the copyright to this resource. This resource is only being used for educational purposes.
Language
A language of the resource
En
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Dublin Core
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Title
A name given to the resource
Poverty
Dublin Core
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Title
A name given to the resource
Glass double head pendent
Subject
The topic of the resource
Pale glass art
Description
An account of the resource
Medium:Glass; rod-formed and trailed
Dimensions:H.: 1 1/16 in. (2.7 cm)
Classification:Glass
Creator
An entity primarily responsible for making the resource
Phoenician
Source
A related resource from which the described resource is derived
<a href="https://www.metmuseum.org/art/collection/search/249952?searchField=All&amp;sortBy=relevance&amp;ft=*&amp;offset=0&amp;rpp=20&amp;pos=8">The Metropolitan Museum of Art</a>
Contributor
An entity responsible for making contributions to the resource
Jack Parks
Rights
Information about rights held in and over the resource
Copyright, The Metropolitan Museum of Art.
Used here for educational purposes only.
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Dublin Core
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Title
A name given to the resource
Anna Lucas
Dublin Core
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Title
A name given to the resource
Augustus Caesar - Item #400
Subject
The topic of the resource
Augustus
Creator
An entity primarily responsible for making the resource
Pinterest
Source
A related resource from which the described resource is derived
<a href="https://www.capronicollection.com/products/augustus-caesar" target="_blank" rel="noreferrer noopener">Caproni Collection</a>
Publisher
An entity responsible for making the resource available
Anna Lucas
Type
The nature or genre of the resource
Social Media, website
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Dublin Core
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Title
A name given to the resource
Banh Tu
Subject
The topic of the resource
Siddhartha Gautama
Description
An account of the resource
Depiction of Buddha
Source
A related resource from which the described resource is derived
<a href="http://www.artandantiquesmag.com/2012/05/tibetan-art-museum-of-fine-arts-boston/201205_shambala_01/">Art & Antiques</a><br /><a href="http://www.artandantiquesmag.com/2012/05/tibetan-art-museum-of-fine-arts-boston/201205_shambala_02/">Art & Antiques</a><br /><a href="http://ichef.bbci.co.uk/wwfeatures/wm/live/1600_900/images/live/p0/2w/4c/p02w4cgz.jpg">BBC</a> : Lumbini Nepal
Rights
Information about rights held in and over the resource
Copy right Art & Antiques
Education purpose use only
Dublin Core
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Title
A name given to the resource
Boddhi Tree
Creator
An entity primarily responsible for making the resource
pinterest
Source
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<a href="https://www.pinterest.com/pin/343892121529881492/">Pinterest</a>
Rights
Information about rights held in and over the resource
Copy Right Pinterest
Education use only
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Banh Tu
Subject
The topic of the resource
Siddhartha Gautama
Description
An account of the resource
Depiction of Buddha
Source
A related resource from which the described resource is derived
<a href="http://www.artandantiquesmag.com/2012/05/tibetan-art-museum-of-fine-arts-boston/201205_shambala_01/">Art & Antiques</a><br /><a href="http://www.artandantiquesmag.com/2012/05/tibetan-art-museum-of-fine-arts-boston/201205_shambala_02/">Art & Antiques</a><br /><a href="http://ichef.bbci.co.uk/wwfeatures/wm/live/1600_900/images/live/p0/2w/4c/p02w4cgz.jpg">BBC</a> : Lumbini Nepal
Rights
Information about rights held in and over the resource
Copy right Art & Antiques
Education purpose use only
Dublin Core
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Title
A name given to the resource
Temple
Creator
An entity primarily responsible for making the resource
Pinterest
Source
A related resource from which the described resource is derived
<a href="https://www.pinterest.com/pin/101190322852530788/">Pinterest</a>
Rights
Information about rights held in and over the resource
Copy right Pinterest
Education use only
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https://jacknorton.org/1101-online-sp19/files/original/5eb4220e7cdf83ee023d6d6a3f1f1e5d.jpg
fd4edd5f0d4db5ef61613c5e02976e7b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Banh Tu
Dublin Core
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Title
A name given to the resource
Terracotta neck-amphora jar (neck)
Subject
The topic of the resource
Archaic Jar
Description
An account of the resource
"Period: Archaic
Date: ca. 530 B.C
Dimensions: H. 157/8in (40.3cm)
Classification: Vases"
The two objects I chose was between the Archaic and Hellenistic period. I can by looking at the two objects the art style is different. The jar from the Archaic period the people is color in black and the background is brown. As for the bowl in the Hellenistic period its reverse where the people are left in brown and white while the background is cover in black. However, both objects show a great deal in heroic character or someone famous. From looking at the two objects it’s tells me that people during that time idolize strong and heroic people, because they displace warrior carrying weapons. I can see why artists choose to do that kind of drawing on the jar because, they were constantly in war with other region and people. Show the artist portrait that to inspired younger kids to be brave and defend their country and its people. I can only guess that the potteries were belonging to high class society because of the of the design and the detail that on it. From looking at all the art we were doing for class I want to learn more about the process the artist used to created those piece of art and does that transfer to the architecture of the monument they build.
Creator
An entity primarily responsible for making the resource
Probably "Greek, Attic"
Source
A related resource from which the described resource is derived
<a href="https://www.metmuseum.org/art/collection/search/246725" target="_blank" rel="noreferrer noopener">Metropolitan Museum</a>
Contributor
An entity responsible for making contributions to the resource
Banh Tu
Rights
Information about rights held in and over the resource
Copyright. The Metropolitan Museum
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Physical Object
An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.
Dublin Core
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Title
A name given to the resource
"Vessel stand with ibex support,ca. 2600–2350 B.C."
Description
An account of the resource
"Temple rituals during the Early Dynastic period included making offerings of food, drink, and probably incense to the gods. This stand, with four rings supported by a magnificent ibex, would have supported lamps or bowls holding offerings or incense and may have been used in temple or in banquet rituals.
This stand was made by a sophisticated method of metalwork known as the lost-wax technique. The desired image was sculpted in wax and surrounded with clay that hardened into a mold when baked. When the mold was fired, the wax was melted and "lost," leaving a negative space that corresponded to the wax image. Molten metal was then poured into the cavity to form a reproduction of the original wax model."
Creator
An entity primarily responsible for making the resource
Rogers Fund, 1974
Source
A related resource from which the described resource is derived
Sumerian, Mesopotamia
Publisher
An entity responsible for making the resource available
The Metropolitan Museum of Art
Date
A point or period of time associated with an event in the lifecycle of the resource
2600–2350 B.C.
Contributor
An entity responsible for making contributions to the resource
Francesca Fobbe
Rights
Information about rights held in and over the resource
Copyright The Metropolitan Museum of Art. Used here for educational purposes only.
Format
The file format, physical medium, or dimensions of the resource
"Copper alloy, inlaid with shell and lapis lazuli.
H. 15 3/4 x W. 9 1/4 x D. 9 7/16 in. (40 x 23.5 x 23.9 cm)."
Type
The nature or genre of the resource
"Metal-work Sculpture"
Identifier
An unambiguous reference to the resource within a given context
<div class="copy-link__to-copy"><span> “Vessel stand with ibex support,ca. 2600–2350 B.C<em>.” The Met.</em> Accessed on April 29, 2019. <a href="https://www.metmuseum.org/art/collection/search/329091">https://www.metmuseum.org/art/collection/search/329091</a></span></div>