8 10 121 https://jacknorton.org/1101-online-sp19/files/original/2d4bb0ed6ba55a622958e857c8dba9d7.jpg 39770ca845de7d0593feb43ff5c928e2 https://jacknorton.org/1101-online-sp19/files/original/7c99fc9daaf808b70776bcf5c5d026e3.jpg fc7bc8e49c1bbef25702fb258e515765 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nicole Almonte Subject The topic of the resource Ancient Art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hellenistic Terracotta Statues Subject The topic of the resource Ancient Greek Art Description An account of the resource When I first saw the two images I thought they looked extremely similar. Both the girl and woman appear to be in the same pose, facing to their right side and in the similar robe style clothing. At first I believe they were both women but reading into their descriptions, one is woman and another a girl. The woman is considered to be found in a private dwelling for religious purposes in a shrine. Often sculptures like this were in the same pose with grace-like faces that would bring liveliness. Then the girl is actually represented as child kind of. By then they were presenting kids as kids and not miniature adults, however you can still see she appears to be dressed like a woman. Both sculptures are from the origins of Athens where they originate from. If someone was to ask me why these matter, I would say because it's an early form of art that led the way for future art. You can see other sculptures with naked bodies which now a days is paintings or photographs of naked bodies. It's matters because it's true pure art. Creator An entity primarily responsible for making the resource Greek Artisans Source A related resource from which the described resource is derived The Metropolitan Museum of Art Publisher An entity responsible for making the resource available The Met Date A point or period of time associated with an event in the lifecycle of the resource 300 BC 4th/3rd Century BC Contributor An entity responsible for making contributions to the resource Nicole Almonte Rights Information about rights held in and over the resource Copyright: The Met Format The file format, physical medium, or dimensions of the resource Photograph of Stautes Type The nature or genre of the resource Primary Source Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Julieta Garcia-Cordova Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Terracotta vase in the form of a sleeping African (known as Ethiopian) boy Subject The topic of the resource Africans in Ancient Greek Art Description An account of the resource The sleeping boy's nakedness and exhausted state suggest that he is a slave or servant. Vases of this shape probably held perfumed oils. The two objects I choose were an object of a bronze statue of an African boy and a Terracotta vase in the form of a sleeping African boy. Both of these objects shows us about everyday life in that period that Greeks looked down on Africans. In a way they used their sculptures to over exaggerate African features. The first object which is a bronze statue of an African boy who barely has any clothes on maybe indicating he’s a slave. The boy seems to be dirty and not have a lot of clothes, probably showing they were looked down on. The second sculpture is a terracotta vase of a little boy who also seems tired and poor. The fact that they made the vase out of a little African boy shows that they were not valued or respected. Showing that Greeks didn’t know much about them or had anyone to ask what their culture or values were. Overall both of these sculptures show how Greeks during the Hellenistic looked down or had no respect for Africans during that era. Creator An entity primarily responsible for making the resource Metropolitan Museum of art Source A related resource from which the described resource is derived Metropolitan Museum of art Publisher An entity responsible for making the resource available The Cesnola Collection Date A point or period of time associated with an event in the lifecycle of the resource ca. 3rd–2nd century B.C. Contributor An entity responsible for making contributions to the resource The Cesnola Collection, Metropolitan Museum of art Rights Information about rights held in and over the resource © 2000–2019 The Metropolitan Museum of Art. All rights reserved. Relation A related resource Cesnola, Luigi Palma di. 1878. Cyprus: Its Ancient Cities, Tombs, and Temples. A Narrative of Researches and Excavations During Ten Years' Residence in That Island. p. 456, New York: Harper & Brothers. Format The file format, physical medium, or dimensions of the resource H. 8 3/16 in. (20.8 cm) Language A language of the resource English Type The nature or genre of the resource Vases Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nicole Almonte Subject The topic of the resource Ancient Art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ganymede jewelry Subject The topic of the resource Hellenistic Art - Jewelry Description An account of the resource This object can't actually tell you much about poverty because it is in fact, gold. All the pieces were not meant to be worn together as they're from different sets. The design of them is suppose to reflect the gods/goddesses, leading to the heavy belief of religion during that time. Creator An entity primarily responsible for making the resource Greek Source A related resource from which the described resource is derived <a href="https://www.metmuseum.org/art/collection/search/256975" target="_blank" rel="noreferrer noopener">The Metropolitan Museum of Art</a> Date A point or period of time associated with an event in the lifecycle of the resource ca 300-350 BC Contributor An entity responsible for making contributions to the resource Nicole Almonte Rights Information about rights held in and over the resource Copyright, The Metropolitan Museum of Art. Used here for educational purposes only. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Iron Pillar of Delhi Subject The topic of the resource Gupta Period Art Description An account of the resource The Iron Pillar in Qutub Complex, Delhi is a stellar example of advanced metallurgy technology in Gupta Period (circa 320 - 550 CE). The 7 m (23 ft) high pillar was made corrosion resistant. It bears Sanskrit - Brahmi inscriptions eulogising the achievements of King Chandra which is believed to be about King Chandragupta II (circa 380 – 414 CE) Creator An entity primarily responsible for making the resource Ancient History Encyclopedia Source A related resource from which the described resource is derived <a href="https://www.ancient.eu/image/4156/iron-pillar-of-delhi/">Iron Pillars of Delhi</a> Jarvis, Dennis. "Iron Pillar of Delhi." Ancient History Encyclopedia. Last modified October 27, 2015. https://www.ancient.eu/image/4156/ Publisher An entity responsible for making the resource available Ancient History Encyclopedia Date A point or period of time associated with an event in the lifecycle of the resource Gupta Empire Contributor An entity responsible for making contributions to the resource Brynn Leukuma Rights Information about rights held in and over the resource Copy Right. Used for educational purposes only Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cave 19, Ajanta, Deccan Subject The topic of the resource Gupta Period Art Description An account of the resource "The chaitya facade of Cave 19, Ajanta, north-west Deccan, India. The columned porch, cushion column capitals, and ornate decorative sculpture are typical of Gupta architecture (4-6th century CE). The relief panels show scenes from the life of Buddha" Creator An entity primarily responsible for making the resource Ancient History Encyclopedia Source A related resource from which the described resource is derived <a href="https://www.ancient.eu/image/3879/cave-19-ajanta-deccan/">Cave 19, Ajanta, Deccan</a> Mukhopadhyay, Sankarshan. "Cave 19, Ajanta, Deccan." Ancient History Encyclopedia. Last modified May 20, 2015. https://www.ancient.eu/image/3879/. Publisher An entity responsible for making the resource available Ancient History Encyclopedia Date A point or period of time associated with an event in the lifecycle of the resource Gupta Period Contributor An entity responsible for making contributions to the resource Brynn Leukuma Rights Information about rights held in and over the resource Copy Right. Used for educational purposes only. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dasavatara Temple Subject The topic of the resource Gupta Period Art Creator An entity primarily responsible for making the resource Wikimedia Commons Source A related resource from which the described resource is derived <a href="https://commons.wikimedia.org/w/index.php?curid=8617319">Dasavatara Temple</a> Ghosh, Soma. "Art of Gupta Era : Golden Age of India." Wordpress. May 23, 2017. Accessed May 01, 2019. https://deccanviews.wordpress.com/2017/05/23/art-of-gupta-era-golden-age-of-india/. Publisher An entity responsible for making the resource available Wikimedia Commons Date A point or period of time associated with an event in the lifecycle of the resource Gupta Period Contributor An entity responsible for making contributions to the resource Brynn Leukuma Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Parvati Temple Subject The topic of the resource Gupta Period Art Creator An entity primarily responsible for making the resource Wikimedia Commons Source A related resource from which the described resource is derived <a href="https://commons.wikimedia.org/w/index.php?curid=25359563">Parvati Temple</a> Ghosh, Soma. "Art of Gupta Era : Golden Age of India." Wordpress. May 23, 2017. Accessed May 01, 2019. https://deccanviews.wordpress.com/2017/05/23/art-of-gupta-era-golden-age-of-india/. Publisher An entity responsible for making the resource available Wikimedia Commons Date A point or period of time associated with an event in the lifecycle of the resource Gupta Period Contributor An entity responsible for making contributions to the resource Brynn Leukuma Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cave 6 Subject The topic of the resource Gupta Period Art Creator An entity primarily responsible for making the resource Wikimedia Commons Source A related resource from which the described resource is derived <a href="https://commons.wikimedia.org/w/index.php?curid=21676023">Cave 6</a> Ghosh, Soma. "Art of Gupta Era : Golden Age of India." Wordpress. May 23, 2017. Accessed May 01, 2019. https://deccanviews.wordpress.com/2017/05/23/art-of-gupta-era-golden-age-of-india/. Contributor An entity responsible for making contributions to the resource Brynn Leukuma Publisher An entity responsible for making the resource available Wikimedia Commons Date A point or period of time associated with an event in the lifecycle of the resource Gupta Period Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chariot Warriors in Ancient India Subject The topic of the resource Gupta Period Art Description An account of the resource "This sculpture made during the Gupta period (3rd century CE to 6th century CE) shows a scene from the Mahabharata. Here, two elite warriors riding their war chariots are seen engaging each other in an archery duel. The body of the chariot on the left, being damaged, cannot be seen but its wheel and horses are visible. The chariot on the right is mostly intact. The use of chariots in battle had declined by this period and it is extremely unlikely that the Gupta army used them. This is thus a sculptural representation of how the Gupta artists imagined chariot warfare to have been in the preceding periods of history, particularly in the Epic period where they were much valued. (National Museum, New Delhi, India)" Creator An entity primarily responsible for making the resource Ancient History Encyclopedia Source A related resource from which the described resource is derived <a href="https://www.ancient.eu/image/9286/chariot-warriors-in-ancient-india/">Chariot Warriors in Ancient India</a> Nomu420, . "<a href="https://www.ancient.eu/image/9286/" class="no_external">Chariot Warriors in Ancient India</a>." Ancient History Encyclopedia. Last modified October 01, 2018. https://www.ancient.eu/image/9286/. Publisher An entity responsible for making the resource available Ancient History Encyclopedia Date A point or period of time associated with an event in the lifecycle of the resource Gupta Period Rights Information about rights held in and over the resource Brynn Leukuma https://jacknorton.org/1101-online-sp19/files/original/d97b081e37e19cff24cd7ada6b54fc03.jpg 0c67fc8fcd0ebdff53caebd92aca00c4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sarah Pesola Subject The topic of the resource Mauryan and Hellenistic Art Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Statue Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amenhotep III Subject The topic of the resource Ancient Egypt Source A related resource from which the described resource is derived <a href="http://go.galegroup.com.ndcproxy.mnpals.net/ps/i.do?p=GVRL&u=mnanorman&id=GALE%7CCX3728000017&v=2.1&it=r&sid=GVRL&asid=5ff2814e.com">The New Kingdom Begins in Egypt</a> Publisher An entity responsible for making the resource available Gale Virtual Reference Library Date A point or period of time associated with an event in the lifecycle of the resource 1557 BCE-1085 BCE Format The file format, physical medium, or dimensions of the resource Picture Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Ancient Egypt The New Kingdom 1557 BCE-1085 BCE