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                  <text>Molly Renlund</text>
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                  <text>Mauryan and Hellenistic Art</text>
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                <text>Shard with Three Goddesses</text>
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                <text>India</text>
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                <text>3rd century B.C.</text>
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                <text>Terracotta</text>
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                <text>A shard of terracotta, most likely a small part of a bigger piece, has three goddesses carved on it as a design. All three are depicted as adorned with jewelry and crowns. It is synonymous with the statuette of the Three Graces in which they both accentuate three important deities. These similarities in art expressionism from reasonably different time periods and geographic location give modern day viewers a little insight into the religious and social norms of those time periods. Worshipping many Gods and Goddesses was considered normal and encouraged at times in both of these societies, and it in turn promoted human creativity and spirituality.</text>
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                <text>Statue of the Three Graces</text>
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                <text>2nd century A.D.</text>
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                <text>Marble</text>
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                <text>Charities</text>
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                <text>The Three Graces were said to be the daughters of Zeus, in Greek mythology. Engravings on many statue-esque pieces of artwork tell us that they are Thaleia, who represents youthfulness and beauty, Euphrosyne, who represents laughter, fun, and happiness, and Aglaia, who represents elegance and grace. Not only does the sculpture relate to other works of art in which the women are sculpted in a divine nature as goddesses, but it also tells us a lot about people in this society’s perceptions. For example, the Three Graces – Thaleia (the rightmost figure) represents the image of beauty, but the image of beauty varies from culture to culture in different time periods. Today’s ideation of what is beautiful looks a bit different than what was chiseled into the marble back then.</text>
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